So Dannie did all the work, and cooked his supper, because he never ate in Jimmy's cabin when Jimmy was not there. Then he skinned rats, and watched the clock, because if Jimmy did not come by eleven, it meant he must drive to town and bring him home. No wonder Jimmy chilled at the trapping when he kept his blood on fire with whiskey. At half-past ten, Dannie, with scarcely half the rats finished, went out into the storm and hitched to the single buggy. Then he tapped at Mary Malone's door, quite softly, so that he would not disturb her if she had gone to bed. She was not sleeping, however, and the loneliness of her slight figure, as she stood with the lighted room behind her, struck Dannie forcibly, so that his voice trembled with pity as he said: "Mary, I've run out o' my curing compound juist in the midst of skinning the finest bunch o' rats we've taken frae the traps this winter. I am going to drive to town fra some more before the stores close, and we will be back in less than an hour. I thought I'd tell ye, so if ye wanted me ye wad know why I dinna answer. Ye winna be afraid, will ye?" "No," replied Mary, "I won't be afraid." "Bolt the doors, and pile on plenty of wood to keep ye warm," said Dannie as he turned away. Just for a minute Mary stared out into the storm. Then a gust of wind nearly swept her from her feet, and she pushed the door shut, and slid the heavy bolt into place. For a little while she leaned and listened to the storm outside. She was a clean, neat, beautiful Irish woman. Her eyes were wide and blue, her cheeks pink, and her hair black and softly curling about her face and neck. The room in which she stood was neat as its keeper. The walls were whitewashed, and covered with prints, pictures, and some small tanned skins. Dried grasses and flowers filled the vases on the mantle. The floor was neatly carpeted with a striped rag carpet, and in the big open fireplace a wood fire roared. In an opposite corner stood a modern cooking stove, the pipe passing through a hole in the wall, and a door led into a sleeping room beyond. As her eyes swept the room they rested finally on a framed lithograph of the Virgin, with the Infant in her arms. Slowly Mary advanced, her gaze fast on the serene pictured face of the mother clasping her child. Before it she stood staring. Suddenly her breast began to heave, and the big tears brimmed from her eyes and slid down her cheeks. "Since you look so wise, why don't you tell me why?" she demanded. "Oh, if you have any mercy, tell me why!" Then before the steady look in the calm eyes, she hastily made the sign of the cross, and slipping to the floor, she laid her head on a chair, and sobbed aloud. Chapter II RUBEN O'KHAYAM AND THE MILK PAIL Jimmy Malone, carrying a shinning tin milk pail, stepped into Casey's saloon and closed the door behind him.