London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
From Thornton seemed to come realisation that something stronger, more
real, positive lay beyond them--the delight of living in pulse and nerve
and bodily fibre. Yet, unlike a man, a woman cannot live by sense alone.
Sentiment invariably plays its part. This in Clytie's case was fed by
the glamour of Thornton's heroic history, so different from that
of ordinary men, whose lives, compared with his, seemed tame and
colourless. The glow of his personality bathed magically all his
actions, all his words. In his superb manhood he stood before her eyes
as the incarnation of physical force, the victorious protest against the
shams of art, culture, and other pale shades of our morbid civilisation.
When she was lifted high with him in this triumph, sense and sentiment
were fused together and she was wholly at his mercy. Thornton had
come into her life at the most delicately critical moment of a woman's
career, when the current of her nature, checked at the turning-point
between friendship and love, struggles tumultuously for some other
channel into which to empty itself.
“We shall do whatever you like,” she said to Thornton, during their
waltz. It was the first definite surrender she had made to him. She was
surprised that it cost her so little, seemed so sweet and natural.
“Then you and I will defy the world!” he replied.
They paused to rest for a moment, leaning against the wall. An elderly
man came up, shook hands with her, and opened a desultory conversation
with Thornton. Clytie looked amusedly at the animated scene, tabulating
mentally, by force of habit, the types that passed and repassed
before her. Seldom had it struck her before so forcibly how few of her
fellow-creatures possessed the secret of the joy of life. How many of
the couples circling round, backing, glissading in that dizzying mass of
motion were really gladdened by what they were doing? Stout men puffed
around with a serious air of responsibility. Tall men, with drooping
moustaches, paced languidly in time, scarcely heeding their partners,
who expressionlessly suffered themselves to be guided hither and thither
through the throng. The robust youth of either sex seemed to look upon
dancing as an athletic exercise, and waltzed with the intent fervour of
tennis players on their mettle before a big gallery. Only here and there
did a girl, safe in the arms of a good dancer, half close her eyes and
surrender herself to the sensuous charm of motion in perfect time with
the throbs of music. Mankind is astonishingly ignorant of the essential
qualities of many of its habitual pleasures. So thought Clytie, in the
thrill of her new knowledge. The orchestra began the opening bars of the
_coda_. Thornton turned away from the elderly gentleman, and putting
his arm round Clytie's waist led her away, without a word, to finish the
waltz.
Public-domain text, read in full here on John Shaqi.
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