London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
“I don't understand,” he said. “How could the knowledge that I loved you
have helped you, unless you cared for me?”
“Perhaps I might have cared for you,” she said wearily.
“Oh, God, Clytie! don't say that. It is cruel!” he cried, starting to
his feet in great agitation. “I know I acted like a fool, but it was
with true motives. Don't twit me with them. It is more than I can bear.”
Only then did Clytie clearly realise what she had been saying. The fit
of supreme dejection passed off as suddenly as it had come, and she felt
keenly the justice of his words.
“Oh, Kent, Kent, forgive me!” she cried, with starting tears. “I hardly
knew what I was saying. You are so noble and true-hearted that you must
forgive me. Sometimes when a woman is wretched she has not control over
herself, and I am sometimes very, very wretched, Kent. I was thinking of
myself more than of you when I said the thing that pained you. Tell me
that you forgive me.”
The appeal was too human, too unreserved, to be rejected by Kent's
tender nature. He sat down again by her and took her hand and kissed it
gently.
“I have never seen you like this before,” he said. “I wish I could
comfort you.”
He knew that it was no passing irritation or weariness that forced
the confession from Clytie's proud nature. It was something deep and
final--something impossible in her married life. Her wretchedness made
him forget his own longing in the desire to be of use to her and lighten
her lot. He let go her hand, which she allowed to lie on her lap as it
fell, with the palms lightly upwards.
“I don't know why I have told you this to-day,” she said, not meeting
his eyes. “I have never breathed it or hinted it to a living being, and
it came upon me unawares. Don't despise me, Kent.”
“Clytie!”
“Oh, yes. I know what any outsider would say. I was posing as the _femme
incomprise_. I was casting away my womanly pride. Of all persons in the
world _you_ ought not to have been my confidant. Judged by conventional
canons I am to be despised, for what can the world say of a woman who
tells a man that still loves her that she regrets she did not marry him?
Oh, don't interrupt me. I may as well speak out my true self once and
for all to you. You yourself once remarked that if we were superior to
conventionalities of habit, we ought to extend our unconventionalities
to sentiment. You are loyal and staunch. You can help me by being my
friend, for I have no one else to turn to. My life is a dreary mistake.
My art does not satisfy me, because I have no hopes. One must have
enthusiasms to be an artist, and all mine are dead. Now you know.”
There was a certain fierce pleasure in this self-abasement. It was like
the vengeance of her higher nature upon her lower, the whip of scorn
applied by the spirit to the flesh.
He did not answer, but looked at her with inexpressible sadness in his
eyes. She added a few more words.
“If you despise me for telling you, let me know at once. It would be
better.”
Public-domain text, read in full here on John Shaqi.
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