London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
Suddenly Thornton himself appeared with eager face, a telegram in his
hand. He had just come in from riding in the Park, and according to the
modern fashion out of the season, was dressed in tweed suit and gaiters.
He carried a silver-headed riding whip jauntily under his arm. He waved
the telegram exultingly.
“They have asked me to put up for Witherby!” he said. “I'll have some
lunch on the strength of it. I suppose there's some going.”
“I believe lunch is at the usual hour,” said Clytie, not looking at him.
He lingered a little, flicking his legs with his whip.
“You might as well congratulate me, if only for the sake of politeness,”
he said in an injured tone.
“Oh, yes; I congratulate you,” she replied.
Her voice sounded strange in her own ears. She felt an almost
irresistible impulse to burst forth into a torrent of speech, to say
out finally all the bitterness and loathing that were in her heart. She
restrained herself, but the effort gave a queer guttural resonance to
her words. She turned and looked out of the window.
“What the devil's the matter?” he asked impatiently. “I came in, 'pon my
soul, thinking you'd be pleased. It's a safe seat. I'm dead certain to
knock the confounded Radical into a cocked hat. Just the moment when
I've got what I've been sweating for the last eighteen months, confound
it all, I did think you'd be civil for once in a way. But it's just like
you; I might have expected it. Well, perhaps it's the truth to say you
don't care a damn one way or the other.”
He walked to and fro for a little, fuming. Then his eyes falling on the
photograph that lay on the table, he picked it up, as an angry man will
do, looked at it absently for a moment, and pitched it sharply to the
other side of the room. Clytie, startled by the slight click of the
cardboard striking against the wall, turned half round and met his eyes
fixed loweringly upon her. Each held the other spellbound for a few
seconds. Then the door opened and Jack came into the studio, checking
his motion forward as he saw Thornton.
“What the deuce is this?” cried the latter.
With a swift, instinctive glance Clytie compared the two faces. They
were astonishingly alike. The same finely moulded features, dark lucent
eyes, brown crisp hair, white evenly set teeth; the same lines of
cruelty at the corners of the lips. Strange that, much as she had
studied Jack's physiognomy, the likeness had never suggested itself. At
Thornton's petulant question the boy looked at him half frightened, and
then at Clytie, and was about to shrink back. But she called him in.
“Don't go away without your drawing, Jack. This,” she said coldly to
Thornton, “is a _protégé_ of mine. He was once my model--for my picture
'Jack.' Here, Jack, take your drawing. Run home. Thank you for coming to
see me.”
“And--and the photograph. You said you'd give it me back.”
Public-domain text, read in full here on John Shaqi.
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