London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
The boy took up the remains of his cap and went, with an air of relief,
out of the room.
“What a little brute!” said Kent. “Why don't you try to reform him--make
him human?”
“He is human,” cried Clytie with some warmth. “That's why I cultivate
him. Delightfully human! Refreshing! As for reforming him”--with a shrug
of her shoulders--“I am not a Sunday-school teacher. I have nothing to
do with the submerged tenth; let the good respectable folks who have
submerged them raise them with their polite and respectable hands. I
am an artist--a student of life--what you will. Each one to his trade.
Perhaps when I have got what I want out of Jack it may amuse me to show
him the desirability of not 'lamming cats' bloomin' 'eds open with
a chopper.' I don't know--I'm not altogether devoid of moral sense.
Winifred's tender heart may be touched, and between the two of us we may
turn him out a mild-eyed journeyman carpenter, a member of the Y. M. C.
A., a model of all the virtues. But I very much doubt it. He has vice in
his blood. But perhaps I am wounding some of your susceptibilities, Mr.
Kent? You may be a social reformer, and keener than I on these matters.
If so, pardon me. We artists are privileged, you know, to view life from
our own standpoint.”
Kent threw up his hand and dropped it--a little gesture of deprecation.
He, too, had large views on humanity and its needs. He was even then
sacrificing comfort, fame, ease, such as other men understand them, so
as to serve it. But it was according to his own capabilities. It was a
darling scientific work, that on the most modest computation would
take him twenty years to complete--an unthankful task; his name to be
remembered with reverential gratitude by some half dozen workers, to
perish unheard of by the remaining millions of mankind. But these half
dozen would use the result of his life's energies to the advancement of
human prosperity, and that thought glowed within Kent's heart. Still a
man has not time for all things. He honestly disclaimed pretensions to
being a social reformer. He was also artistically sympathetic enough to
appreciate Clytie's attitude as regards Jack. He was nearer to her in
spirit than Winifred, who was pained at Clytie's speech. She would have
cried out with the sharpness of the pain had it not been for Kent's
presence. And she would have been revolted at the cynical callousness
had it not been for the blind adoration with which she bowed before
Clytie. Whatever Clytie did was right, she told herself, and she was a
poor little body who could not understand these things. But her heart
bled for Jack, and she wondered why Clytie's did not bleed also.
“I spoke idly,” said Kent. “I am sorry. If all artists set about
reforming their models, their hands would be too full for art. But he
is a little brute all the same, and, as you say, Peckham Rye would be
startled by him. But why do you want to shock Philistia?”
Public-domain text, read in full here on John Shaqi.
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