England -- Social life and customs -- 19th century -- Fiction
"Much better. And ideals are such bosh when we have grown out of our
short frocks. So the understanding is quite complete; you don't know how
much you love me, so we will call it desperately, and I don't know how
much I love you, so we will call it desperately too. You have been in
love shoals of times before, and I--well, I am capable of falling in
love with some one else on my wedding-day. So neither of us will be
disappointed if it does not answer, but we have agreed to try. Hey-day,
what fun it is! The lonely lady at the Court marrying the musician at
the inn; the lady has the establishment, and the musician has the money
to keep it up: if you were truly modern you would have both, and be a
risen cabinet-maker. Relton will have enough to talk about for a year.
But you will not behave as if we were engaged, _just_ yet, will you?
I--I don't feel as if I could quite stand it; do you understand?"
He had never heard her voice falter like that before, and he nodded to
show that he quite understood. But she sprang to her feet with one of
her quick gestures before he had time to realize the intoxicating
feeling of that moment, and he experienced a sensation of chill.
"What wickedness to keep this child up so late; come along, Sonny lad, I
told Nanny that I would put you to bed for a treat, and daddy is going
to stay here and smoke his pipe."
And she vanished up the primitive staircase which led straight from the
parlor up to the room above; and daddy was left somewhat with the
feeling of having consented to Lady Joan's suggestion of marriage
without receiving the right to kiss her, and he sat by the window again
and looked among the fruit-trees, and called himself the happiest man in
the world, and felt that he would be able to write his Swinburne song
when the house was quiet.
A third time the wooden door creaked, and a third time the red sunlight
filled the room. But the musician did not notice it, for he was still
looking out of the window into the orchard, and he was telling himself
with a sense of profound relief that his engagement was at last going
right.
There was the sound of a low, soft, glad cry in the little inn parlor,
and something glided in noiselessly, hesitated for a moment, and then
sped across the ray of light to where he sat by the window. And the
musician turned his eyes away from the fruit-trees then, and fixed them
on the apparition before him, and a look of dumb amazement began to
creep slowly over his face.
Public-domain text, read in full here on John Shaqi.
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