England -- Social life and customs -- 19th century -- Fiction
"Of course you don't," cried Lady Joan, cheerfully, "you have no cause
to see. _I_ don't see the full advantages of married life, for
instance. But I am really going to be serious now, so don't interrupt.
In the first place, I am not going to be philanthropic in the country;
that only means being hopelessly under the thumb of one's rector, or
hopelessly at variance with him; besides, it is so mortally dull, and--I
don't mean to be dull just now. So I am going up to Pont Street in
October, and I shall organize a regular philanthropic campaign. Oh, I am
going to have a fine time! I shall sing for concerts in the East End, I
shall paint match-boxes and gridirons and send them to fancy fairs, I
shall play with the children in the hospitals, and teach the children of
Whitechapel--thank Heaven! no amount of philanthropy can ever spoil the
children--I shall even give sumptuous receptions, at which we shall
discuss the evils of the sweating-system and the possibility of
distributing certain portions of bread and soup to the deserving poor
during the cold weather. Who knows that I may not speak on a platform
before long? There is always the bearing-rein to fall back upon, if all
the others fail; or the prevention of cruelty to birds, now that wearing
feathers is out of fashion; or compulsory vaccination, or hygiene and
rational dress and other horrors which are so excellent for the poor.
Think of my reputation, Digby! It will be so assured that even Mrs.
Reginald Routh will not dare to cast a stone at me, and I shall be able
to say just what I choose about _anybody_. Why, philanthropy, properly
managed, is as telling as music! Won't it be glorious fun, Digby?
Hey-day, what a noise I am making!"
He got up and stirred the logs in the low grate with his foot. She was
lying on the sofa, looking at him.
"Well, have you nothing to say to my beautiful idea?" she asked
presently.
The musician gulped at something in his throat.
"It is surprising," he began, with an attempt at his old impressive
manner, "how difficult it is to make ourselves understood, especially
in our most intimate relations."
"What are you talking about?" said Lady Joan.
"I mean," went on the musician, desperately, "that I don't know how to
tell you all that is in my mind, dear. Perhaps it is best left unsaid. I
don't know; but--when you ask me what I think of it, I can only feel
that it is all sad, dreadfully sad. I'm afraid I have not made it very
clear, have I?"
She moved her feet, and he came and sat down on the end of the sofa.
"Tell me what it is that is sad," she asked, shading her eyes with her
hand.
"What you have been saying, that there isn't anybody," he said, and
boldly moved the hand, and held it fast, and looked into her eyes.
"No more there is,--except you," she answered recklessly, and looked
back at him for a moment.
Public-domain text, read in full here on John Shaqi.
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