The extracts which we have reproduced are not such as to cause the beard to find favour with the ladies. In Marston's _Antonio and Melida_, (1602), Act v., we read as follows:-- "PIERO.--Faith, mad niece, I wonder when thou wilt marry? "ROSSALINE.--Faith, kind Uncle, when men abandon jealousy, forsake taking tobacco, and cease to wear their beards so rudely long. Oh! to have a husband with a mouth continually smoking, with a bush of furze on the ridge of his chin, ready still to flop into his foaming chaps; ah! 't is more than most intolerable." In another part of the same play are other objections to the mustachios. We find in other old plays allusions to women combing and stroking beards. "There is no accounting," says Repton, "for the taste of ladies. Charles Brandon, Duke of Suffolk, with his large massive beard, won the heart of the fair sister of Henry VIII. Although the 'Cloth of friez may not be too bold,' the courtship was most probably begun by the lady (_i.e._ the Cloth of Gold). Although ladies do not speak out, they have a way of expressing their wishes by the 'eloquence of eyes.' That the fair princess ever amused herself in combing or brushing her husband's beard is not recorded in the history of England." Many references find a place in bygone plays relating to combs and brushes for the beard. Starching the beard was an operation which occupied some time if carefully performed. It is stated in the "Life of Mrs Elizabeth Thomas," published in 1731, of Mr Richard Shute, her grandfather, a Turkey merchant, that he was very nice in the mode of that age, his valet being some hours every morning in starching his beard, and curling his whiskers, during which time a gentleman, whom he maintained as a companion, always read to him upon some useful subject. In closing, we have to state that cardboard boxes were worn at night in bed to protect the beard from being disarranged. TAXING THE BEARD