At the Sign of the Cat and RacketBalzac, Honoré de
General
At the Sign of the Cat and Racket
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
He was so thoroughly vexed by the time when the dormer-window of the
loft was suddenly flung open, that he did not observe the apparition of
three laughing faces, pink and white and chubby, but as vulgar as the
face of Commerce as it is seen in sculpture on certain monuments. These
three faces, framed by the window, recalled the puffy cherubs floating
among the clouds that surround God the Father. The apprentices snuffed
up the exhalations of the street with an eagerness that showed how hot
and poisonous the atmosphere of their garret must be. After pointing to
the singular sentinel, the most jovial, as he seemed, of the apprentices
retired and came back holding an instrument whose hard metal pipe is now
superseded by a leather tube; and they all grinned with mischief as they
looked down on the loiterer, and sprinkled him with a fine white
shower of which the scent proved that three chins had just been shaved.
Standing on tiptoe, in the farthest corner of their loft, to enjoy
their victim’s rage, the lads ceased laughing on seeing the haughty
indifference with which the young man shook his cloak, and the
intense contempt expressed by his face as he glanced up at the empty
window-frame.
At this moment a slender white hand threw up the lower half of one of
the clumsy windows on the third floor by the aid of the sash runners,
of which the pulley so often suddenly gives way and releases the heavy
panes it ought to hold up. The watcher was then rewarded for his long
waiting. The face of a young girl appeared, as fresh as one of the
white cups that bloom on the bosom of the waters, crowned by a frill
of tumbled muslin, which gave her head a look of exquisite innocence.
Though wrapped in brown stuff, her neck and shoulders gleamed here
and there through little openings left by her movements in sleep. No
expression of embarrassment detracted from the candor of her face, or
the calm look of eyes immortalized long since in the sublime works of
Raphael; here were the same grace, the same repose as in those Virgins,
and now proverbial. There was a delightful contrast between the cheeks
of that face on which sleep had, as it were, given high relief to a
superabundance of life, and the antiquity of the heavy window with its
clumsy shape and black sill. Like those day-blowing flowers, which
in the early morning have not yet unfurled their cups, twisted by the
chills of night, the girl, as yet hardly awake, let her blue eyes wander
beyond the neighboring roofs to look at the sky; then, from habit,
she cast them down on the gloomy depths of the street, where they
immediately met those of her adorer. Vanity, no doubt, distressed her at
being seen in undress; she started back, the worn pulley gave way, and
the sash fell with the rapid run, which in our day has earned for this
artless invention of our forefathers an odious name, _Fenetre a la
Guillotine_. The vision had disappeared. To the young man the most
Public-domain text, read in full here on John Shaqi.
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