At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
As for the man, he stood quite still, one hand on the plough, the other
lifting his wide hat by the crown in greeting, an act of politeness no
country yokel would have vouchsafed. What he said she could not hear,
but the single glance he gave her, though interrupted by the shadow of
his hat, tinged with a swift respect instead of lingering curiosity, she
read as an appeal for fair trial and mercy for his awkwardness, so her
outstretched hand dropped to the stone wall that divided them. Leaning
on it, she asked some trifling questions that could be answered by a
brief yes and no, to put him at his ease, then strolled on again along
the field edges, only half listening to what Enoch Fenton said of the
best rotation of crops for soil somewhat overfarmed, and half busy with
her own thoughts, quickened in a dozen different ways by the impulse of
spring.
“New man don’t seem sociably inclined to women folks,” said the deacon,
with a chuckle; “funny he should be took that way too! Most as dumb and
offish as Silent Stead up there on Windy Hill, though Stead’s thawed
out considerable toward ’em, ain’t he, since you folks come here?” he
added, in a persuasive tone intended to open further possibilities of
conversation.
“Oh, that is not because we are women folks,” answered Brooke, simply,
smiling at the old man’s eagerness; “it is also because of Dr. Russell,
who introduced us. We are strangers, and lonely like himself, and you
know he is teaching my brother, so that he may not wholly lose sight of
college, and of course we are very grateful for that.”
“Want ter know!” was the enigmatical reply, the non-committal answer of
the countryman, given as it always is with the falling inflection, though
the words imply a question.
As they turned again toward the cross-road, the head of a man and horse
could be seen above the leafless wild hedge that covered the fence.
It was Robert Stead, and as he caught sight of Brooke, he pulled some
letters from his saddle-bag and waved them toward her.
“As you’re likely to have company home, I reckon I’ll cut across
lots,” said Enoch Fenton, dryly, noticing her eagerness, for letters
always opened a realm of possibility, while the deacon’s query about
Keith West’s marriage reminded Brooke that she had not heard from the
prospective bride for nearly a month, and so she had unconsciously
hurried her steps.
When she reached the bars (four rough chestnut poles held by old
horseshoes driven into the posts like staples,—the relic of an old
country tradition to keep the distemper from the cattle pastured
therein), Stead had already dismounted, and stood waiting for her, and
saying, “Letters first,” handed her the package—six in all: two for her
mother, one being in the writing of Mr. Dean, and one of the lawyer; one
from Lucy; two in strange hands, and the last addressed in the square,
upright characters that she had seen once before, this also readdressed
by Charlie Ashton.
Public-domain text, read in full here on John Shaqi.
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