At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
With a swift movement she dropped them into the pocket of her brown linen
pinafore, and, turning backward toward the Moosatuk, let the beauty
of the vista—which at that point was framed by the mottled trunks of
two gigantic plane trees that linked their gnarled branches across the
roadway—take the place of speech for a few moments.
“Then you too love the river, and turn to it as I do,” Stead said,
watching her face, and attributing its changeful expression, now wrapt,
now alert, to its influence.
“Yes, surely,” she answered, looking far off and beyond, “and I think I
must have known it somewhere in dreams, perhaps before ever I saw it. You
do not know that when I was only a child I christened all over there, as
far as eye can see, my River Kingdom, and said that some day I would be
fairy queen of it!”
“Yes, I know; Dr. Russell once told me of your gypsying,—and now?” Stead
dropped Manfred’s bridle that he had been holding, and drew a step
nearer to the young woman, while the horse, feeling his liberty, began
to crop the tender tufts of grass that were growing between the wheel
tracks. “Is it not still your kingdom?”
“Yes and no. The kingdom is still there, but fairy days have flown away
with their kings and queens, and all of that; it is only a corner of
the same big round workaday world, though an enchanted one, and I am
only just one woman in it, not even a gypsy queen. The river alone has
not changed: when I am quiet, it soothes me; when I am restless and
dissatisfied, it moves for me and cools the fever. This winter, when it
was frozen and buried, I too felt turned to stone at times, or as if I
stood by watching the face of some one I loved who was dead. If the ice
had lasted another month, I do not think I could have borne it,” and
Brooke, as she gazed, clasped her hands before her with a gesture half
supplication, half resolution, that had always been peculiarly her own.
Then Stead saw that the hands, with the firm, but slender fingers that
tell of the artistic temperament, were no longer white and rose-tipped,
but roughened and seamed like the ground itself with the stress of the
winter,—the patient hands of the woman who works, not of the queen who
toys.
Suddenly the frost wherein his heart had been encased, numbing him all
these eleven years, melted in the sunshine of her simple, wholesome
womanliness, and broke away with a swift wrench, like the ice of the
river in the force of the freshet. The red blood pulsed anew and sang in
his ears the eternal spring song that was all forgotten, or worse yet,
disbelieved; for a single moment it swirled him about, and hurried him
along, struggling uselessly, backward toward youth,—a perilous journey.
Public-domain text, read in full here on John Shaqi.
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