At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
Another happening that day lent wings to her spirit, though the thing
was both practical and humble. Bisbee, the stableman, upon the strength
of having seen the Sign of the Fox when it was at the blacksmith’s being
framed in iron (for the rings had not held), ordered a sign for his newly
completed stable, offering the generous price (to him) of twenty-five
dollars for it, he to furnish the wood.
“There’s a regular horse painter over in Gordon will do me a race-horse
in a sulky, driver included, for fifteen,” said Bisbee, a big, jolly,
liberal man, whose rosy cheeks plainly told that they were not made in
New England; “but he’s done that same one fer everybody within ten miles.
Besides, what sense in a race-horse sign fer a family stable, say I? Give
me something safe and assuring, yet not too safe!”
So Brooke had eagerly accepted the commission, for with the return
of Keith West, two or three hours a day for work had become a joyful
possibility, and she conceived the idea of painting the heads of two
horses upon the sign-board he had sent up. One must represent a staid
family horse, and the other a more speedy roadster, and as she looked
across the pasture, the natural position of the two gossips by the stone
fence gave her the motive in a flash. If she only had the board there,
she might sketch in the grouping at once, she thought, and the light also
was exactly as she would wish it. The sign was in the barn, but it was
too heavy for her to carry, and Adam had gone up to Windy Hill for the
day, to do double work, as Robert Stead was expecting Dr. Russell to go
on their annual trouting excursion to Stony Guzzle the next day. Well,
there was no help for it, but still Brooke gazed about as if expecting
help would fall from the skies or spring Jack-in-a-box fashion from the
ground. It was the latter that happened, for at that moment the head of
the farmer-on-shares appeared above the fence of the potato field, where
he had just completed his task of planting, and was about to follow along
the little brook to the road.
As Brooke hesitated to ask him to do an errand that certainly had nothing
to do with farming, he paused involuntarily. Meanwhile Brooke thought, “I
can surely ask it as a courtesy such as any man would do me,” and said,
“Good morning, Mr. Maarten” (she did not call him by his Christian name
as she would have one distinctly in service, for instinct hinted to her
that he might have been driven to his present vocation by hard luck),
“would you do me a favour?”
Instantly the tools and potato bag were dropped, but he did not take the
advantage of coming nearer, as he might easily have done.
Then Brooke explained her need in the frank way she had of taking people
into her confidence, yet without gush or familiarity, that had always
been one of her charms; and Maarten hastened to the barn while she went
to the house for her chalk and sketching stool.
Public-domain text, read in full here on John Shaqi.
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