At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
In an hour, after several false starts, Brooke had compassed the grouping
and outline, though there was one curve in the neck of the young horse
that displeased her. Hearing the pieman’s whistle out on the road, and
remembering that this was the day when she was to accompany him on his
route to “Sister-in-law Sairy Ann’s,” and knowing that Maarten would
naturally have gone home to his dinner,—for he never brought it in a
pail like other labourers, her informant being Enoch Fenton, who said he
table-boarded at the best place in Gilead, and paid six dollars a week,
and most likely had a big head,—she was demurring as to how she should
get the sign back, for to leave it might tempt the cows to lick the chalk
off. At this point she became conscious, through one of those swift half
glances that tell so many tales, that Maarten was waiting a little
beyond, and not only waiting, but watching her eagerly. Therefore, taking
advantage of the circumstance, she laughingly apologized for asking
two favours in one day, but would he carry the sign back to the little
harness room, long disused, with a door of its own on the pasture side of
the barn, where the sign could be kept free from hay dust?—adding, half
aloud, as she took a final look at her work, “There is something wrong
about the line of old Billy’s neck; it could not possibly twist like
that.”
Point of view frequently has as much to do with our estimate of a thing
as the value of the thing itself. Therefore Brooke’s progress of fifteen
miles through the hill country in the pieman’s wagon brought her in
touch with an entirely different side of the world of the woods than if
she had driven over the same way with a party of guests who chattered
inconsequently, or gone on horseback in the company of Stead, as she had
done once or twice lately, for even the mild-mannered old horse required
guiding and attention that banished the spirit of revery.
The pieman had covered his wares carefully, and rolled up the curtains
all around, while the horse, dragging the loaded cart, proceeded perforce
at a walk, so that Brooke, seated on a low chair, travelled with all the
leisurely ease of an old-time queen in a palanquin. This pace brought
her close to every feature of the Masque of Spring, face to face with the
reality of it, and she could anticipate, and then realize, every detail
in its fulness.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account