At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“I think something is stirring up your poultry; shall I go and see?” Lucy
called, going around under Brooke’s window, for the latter had gone up to
rest a few moments after a tiresome afternoon.
“I guess the hens have only fallen off their perches, and are
frightened,” Brooke answered, coming to the window; “they often do, the
sillies. It cannot be rats or weasels, for that is not Tatters’ animal
bark,—that tone means a man, and no one would be so foolish as to come
prowling before dark.”
Lucy continued to watch the catbird, but on the noise recommencing,
Tatters growled again, and leaving the porch, nose to ground, skirted the
library window, went to the gate, returned, stood under the window for a
second with bristling hair, and then, leading straight to the fowl house,
began tearing at the door.
Interested in his tactics, and thinking the intruder nothing worse than
a prowling cat, Lucy threw the skirt of her flowered dimity over her arm
and crossed the garden to the lane.
“Quiet, Tatters, quiet!” she cautioned, patting his head; “you must let
me attend to this; dogs are not allowed in fowl houses, they have been
known to produce heart disease in susceptible young pullets. Sit down
and watch out!”
Touching the spring, she released the latch, and opening the door
cautiously, lest any fowls escape, she peered in, thus coming instantly
face to face with the caged man! The shock for a moment made her lose her
poise, and she almost tottered as she cried, “Tom Brownell!”
At the same time Tatters, seeing the strange man, sprang forward, and to
keep him back Lucy stepped inside the sill-less door; his weight as he
sprung closed it with a snap, making her in turn a prisoner.
“I thought you were in New York! What are you doing here?” she flashed,
regaining her poise and colour at the same time.
“And I thought that you were in California,” retorted Brownell,
carelessly, hands in pockets, holding sentiment down hard.
“Then you did not come here to see me?”
“On the contrary, I came to see Miss Lawton! Are you usually to be found
in chicken houses?”
“Ah, she _is_, then? Suppose, as we must put up with each other’s society
until Tatters leads Brooke to our rescue, that we play the truth game to
kill time,—you know that truth can be trusted to kill almost anything
nowadays; I will ask the first question. Did you give up the California
trip because you wished to avoid me?”
“Yes, but not in exactly the way—Yes, I did,” this with an emphatic nod.
“It is my turn. Why did you not go to California?”
“Because—because—” and the eloquent Lucy became suddenly tongue-tied.
“Because of a prospective stepmother, was it not?” assisted Brownell,
feeling an instant warmth about his heart, as her defiance relaxed.
Public-domain text, read in full here on John Shaqi.
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