At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“No, it was because you were not going—that is, because my feelings, my
pride, were hurt,” and again she raised her head with a defiant glance,
adding hastily, “Now my turn. Why did you wish to see Brooke, and if you
came to see her, why are you found hiding in the fowl house?”
“I came because I have learned something about those mysterious keys.
They belong to a box in a little-known safe deposit company in Brooklyn,
and the name of the lessee is not Lawton; further, they would not tell
me, nor can I go on without some aid from the family. Does this errand
meet with your approval?”
“Then the keys do belong to something! Come quick, Brooke, let us out
and hear the news!” called Lucy, pounding on the door; but no response
came,—only a growl, not from Tatters, but from the unseen thunder-shower
that was, as usual, making its way over Windy Hill.
“As to your last question,” continued Brownell, without heeding the
interruption, “I was passing a window on the way to the side door when I
heard a familiar voice reading a letter. One look confirmed my suspicion,
and, like a wise brute in danger, I made for the nearest cover, not
expecting to be made a prisoner, but to get off unseen!”
“Why do you avoid me? What have I done to make you hate me so?” Lucy
almost whispered, a little break creeping into her voice that made
Brownell start forward.
“Why? Because a sane man usually avoids a danger of which he has had many
warnings. Don’t look at me like that, Lucy, and for God’s sake take your
hand off my shoulder, or you’ll make me forget my self-respect and let
myself go, only to be mocked by a woman!”
But Lucy did not move her eyes or her hand, while its mate stole to his
other shoulder.
“Talking of self-respect,” she said slowly, but with an indescribable
tender archness of accent, “why do you wish to make me lose mine by
forcing me to throw myself into your arms? See, I am braver than you, I
do not fear to be mocked by a man!”
“Lucy!”
“Tom!”
Those were the only two intelligible words of the rush that followed,
but even the catbird in the syringa bush, had his eye and ear been turned
that way, might have taken a lesson in rapid and complete wooing and
winning.
A patter of rain on the roof, another growl, and a flash caused Brooke
to hasten out to the porch to look for her friend, while Tatters still
barked and clawed at the door of the poultry house. Opening the door, she
spied Lucy, who, for the moment, had pushed Brownell into the darkness
behind her.
“So you looked for cats and weasels, and the door slammed on you!” she
cried, dragging Lucy out by the wrist, and brushing away the whitewash
that powdered her dark hair. “Hurry back to the house, for you know that
neither one of us has a love of thunder-storms!”
“You were right, Brooke, it was not Tatters’ animal bark,—it was a man
that frightened the fowls,” answered Lucy, still holding back.
Public-domain text, read in full here on John Shaqi.
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