At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
MRS. ENOCH FENTON A Cheerful Cripple.
SILENT STEAD Sportsman and Misanthrope.
MARTE LORENZ Idealist and Artist.
TOM BROWNELL Engaged in climbing the Ladder of Journalism from
the Bottom Rung.
HENRY MAARTEN A Farm Hand working on Shares.
DR. RICHARD RUSSELL Of Oaklands, Friend of Stead and the Lawtons, and
Confidant-general of the County.
THE PIEMAN A Travelling Optimist.
TATTERS A Person, though disguised as an Old Collie Dog.
The Usual Critic’s Chorus, composed of Citizens, Villagers,
Male and Female, Commonplace, Eccentric, or Otherwise.
TIME
The Present Century.
PLACE
Manhattan and the Hill Country of the Moosatuk.
AT THE SIGN OF THE FOX
CHAPTER I
THE RIVER KINGDOM
Robert Stead and Dr. Russell, clad for hunting, tramped down a pent road
through the woodland and halted at the bars that separated it from the
highway.
Like careful woodsmen, they made sure that their guns were at half-cock
before resting them against the tumble-down wall; pulling out pipe
and tobacco pouch, they filled and fingered the smooth bowls with the
deliberation that is akin to restfulness. Then, face to windward, they
applied the match and drew the few rapid puffs that kindle the charmed
fire, and leaning on the top rail, looked down the slope to where the
river, broad and tranquil as it passed, narrowed and grew more elusive
as the eye traced it toward its starting-point in the north country many
miles away.
For more than a hundred miles between its throne in the hill country
and the sea travels the Moosatuk, and all the land through which it
passes is its kingdom. What its stern mood was in the ancient days when
as an ice-floe, maybe, it tore a pathway through the granite hills,
fortressing them with splintered slabs and tossing huge boulders from
its course, man may but guess; but to-day a wild thing, half tamed, it
obeys while it still compels. Above, below, confined by dams, it does the
will of man; and yet, flow where it will, man follows, with his mills,
his factories, his railways, until, by spreading into shallows, it half
eludes his greed. For twenty sinuous miles it follows a free, sunlit
course, now running swift and lapping the banks of little islands wooded
with hemlocks, now stretching itself on the smooth pebbles until it
tempts the unwary to the crossing on a bridge of stepping-stones. For all
this space the ferns and wood flowers stoop from the slanting banks to
snatch its lingering kisses, the wood folk drink from it, the wild fowl
sleep on it, and its waters bear no heavier responsibility or weight than
driftwood or the duck boat, that steals silently forth, a shadow in the
morning twilight, like the Mohican canoes that a mere century ago plied
the selfsame waters.
Public-domain text, read in full here on John Shaqi.
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