At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
The house belonged to Senator Parks, and on this day it was to be thrown
open to that portion of the public selected by the social sponsors of
his new wife. This wife, being a rather handsome California widow on
the agreeable side of thirty-five, had acquired enough knowledge of the
world during a three years’ residence abroad to bend the knee gracefully,
if not quite sincerely, to the powers that make or mar the fate of
newcomers, at the same time always, so to speak, carelessly twisting in
plain sight between her slender fingers the strings of a full purse.
The conventional “At Home from 4 to 7 o’clock,” therefore, had more
than the usual significance, for it was known to imply a concert in
the superbly appointed music hall, by singers from the opera, and an
exhibition of paintings in the new gallery, so spacious that it ran from
block to block, such a one as had never before been seen in any private
dwelling in Manhattan. Then, too, there had been whispers of a _chef_ of
Gallic renown who had served two emperors and a prince, and altogether
society, whose appetite is rather keen at the beginning of the season,
expecting novelty or at least to be amused, was beginning to sally forth.
It did not commit itself by so doing, and it assumed no responsibility
other than leaving a card, by footman or otherwise, at the door, in due
course; it merely gave itself the opportunity to pass judgment. But as
the new hostess understood this perfectly well, and only desired the
chance of playing her trump card to win the lead, it was a beautifully
frank arrangement on both sides, in which no one was deceived.
As the hour passed the stream of carriages became continuous, the
cavernous awning that swallowed the people as soon as they alighted being
the centre of that strange mob, usually composed of fairly well-dressed
women, who appear spontaneously wherever the carpet-covered steps and
striped awning tell of an entertainment to be. No buzzard hovering in air
drops to his prey more quickly than does the average idle woman catch
sight of this emblem of hospitality.
Two young women, walking with easy, rapid gait up the avenue, paused on
the outskirts of the throng, uncertain as to the best point for breaking
through. At least the shorter of the two hesitated, while the taller,
after a swift survey, put her white-gloved hands firmly on the shoulders
of a gaping dressmaker’s apprentice, turned her about, saying, as she did
so, “Let us pass, please,” and instantly a way was opened.
Public-domain text, read in full here on John Shaqi.
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