At the Sign of the Fox: A RomanceWright, Mabel Osgood
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At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“Oh, no, a Brooke of Virginia would never do that; she would be
hospitable to a burglar, even while waiting for the police to come
for him, and when he left, handcuffed, regret that uncontrollable
circumstances prevented his spending the night!” said Lucy, mimicking the
tone and manner of an old great-aunt of Brooke’s so thoroughly that she
was forced to laugh.
“But thou, O most transparent of all the Brookes, even if you have Scotch
granite and American steel concealed in your depths, you very well know
that Madame Parks would have given many shekels of gold to have had your
mother standing on her right this afternoon. Do you realize that she even
asked me to sing to-day? Of course I wouldn’t.”
“That surely was a compliment to your voice that you can hardly find
fault with,” said Brooke, pausing on the threshold to gather together the
requisite number of cards.
“My voice! That had nothing whatever to do with it My voice might be
like a jay’s with its crop full of popcorn, for all she knows about it.
No, it was all on account of daddy; this affair has been well thought
out. She has been careful to have a representative bidden from every
department of the society trust,—clergy, laity, art, music, science.
Daddy represents up-to-date financiering,—there is no Mrs. Dean, hence
me! She wandered a bit, though, in asking me to sing on the same
afternoon with paid professionals. If it had been a very select and
spirituelle affair, with Maud Knowles at the harp and Dick Fenton with
his Boulevard imitations and songs, followed by bouquets of orchids
concealing bijouterie for the performers, I might have yielded.
“Yes,” Lucy chattered on, “let us go upstairs; we had better drop our
wraps, as we expect to make an afternoon of it. What an apartment!
Madame’s, of course. Look at that bed on the dais and a boudoir and
breakfast room beyond! Eight maids! Why didn’t she have four and twenty
to match the pie blackbirds? Look at the way in which their skirts stay
in place behind when they wiggle them. Never saw such a thing off the
stage; one straight line from belt to hem, just the stunning way Hilda
Spong wears hers in ‘Lady Huntworth’s Experiment’! What is the exhibit
in that room across the hall, with the walls draped with white over
sky-blue? Everybody is going that way; let us also flock!
Public-domain text, read in full here on John Shaqi.
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