At the Sign of the Fox: A RomanceWright, Mabel Osgood
General
At the Sign of the Fox: A Romance
Wright, Mabel Osgood
Man-woman relationships -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“The poor, poor Cub!” ejaculated Brooke at last, half laughing, and then
stopping short, for looking up, she saw tears trembling on her mother’s
lashes. “If it were only long ago, we would buy him a horse, and spear,
and shield, and smuggle him outside the castle walls at night, and let
him gallop away to seek his own fortunes. Do you know, little mother,
that, in spite of all the liberty I have, and money in my pocket without
the asking, I sometimes feel choked and tied down like this bad boy of
ours? It was only an hour ago, when I was sitting in that beautiful
picture gallery, that it came over me how so many of the things we do
every day seem unreal and like a useless dream. We ourselves arrange or
else blindly submit to customs that keep us apart instead of bringing
those who love each other together, until life gets to be like those
stupid gas fire-logs yonder, all for show—a little feverish heat and
unwholesomeness as a result instead of the true thing, though to be sure
real logs are more trouble and a greater responsibility to tend.
“I want to be something more than furniture in our new home, if it is
ever finished, and we succeed in getting out of what Lucy Dean calls
this ‘elaborated parlour-car method of living.’ Yes, mother, I’m getting
what you call a restless streak again. I think I’m going to pick up my
brushes”—and then a serious, almost sad expression crossed her face as
she added, “if they will let me.”
“So Cousin Keith’s going away,—going to be married! I wish she could
have done the second without the first. I like to think of her at the
farm just as she used to be. You know it’s my farm now, and I’ve always
planned to go back there some summer, and really work, for if anything
could put life in my brush, it would be to live in my ‘River Kingdom.’
I’d much rather do that than have a large country place, such as father
plans, though of course Gilead is too quiet and out of touch with things
for him, and the farm is too small a bit for his energy to work upon.
Cousin Keith has been very thrifty,—‘five cows, a farm horse, chickens,
ducks, seed potatoes, cordwood, etc.,’ (all mine, too, because the deed
says ‘inclusive of all live stock, and furnishings’). Last of all she
lists ‘Tatters, the family dog, whose race has been on the soil as long
as we ourselves; if he can’t transfer himself to the newcomers not of
the name, Dr. Russell has promised to take him down to Oaklands. Please
understand, Cousin Pamela, that Tatters doesn’t rank with live stock,—he
is a person, and must be treated as such!’”
“Tatters!” repeated Brooke, looking involuntarily at the artificial fire,
so surely does visible heat draw the outward eye when the mind’s eye is
a-roving. “That was the name of one of the dogs they had that autumn when
I spent that lovely month there, and played at gypsy every day. But he
must be very, very old now. Yes, you shall be well treated, old fellow,
and not ‘transferred’ to anything or anybody against your will.
Public-domain text, read in full here on John Shaqi.
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