She felt, dimly, that the end was not yet--that still other strangers were
coming to the Jack-o'-Lantern for indefinite periods. She saw, now, why
wing after wing had been added to the house, but could not understand the
odd arrangement of the front windows. Through some inner sense of loyalty
to Uncle Ebeneezer, she forebore to question either Mrs. Smithers or
Dick--two people who could probably have given her some light on the
subject. She had gathered, however, from hints dropped here and there, as
well as from the overpowering evidence of recent events, that a horde of
relatives swarmed each Summer at the queer house on the hilltop and
remained until late Autumn.
Harlan said nothing, and nowadays Dorothy saw very little of him. Most of
the time he was at work in the library, or else taking long, solitary
rambles through the surrounding country. At meals he was moody and
taciturn, his book obliterating all else from his mind.
He doubtless knew, subconsciously, that his house was disturbed by alien
elements, but he dwelt too securely in the upper regions to be troubled by
the obvious fact. Once in the library, with every door securely bolted, he
could afford to laugh at the tumult outside, if, indeed, he should ever
become aware of its existence. The children might make the very air vocal
with their howls, Elaine might have hysterics, Mrs. Smithers render hymns
in a cracked, squeaky voice, and Dick whistle eternally, but Harlan was in
a strange new country, with a beautiful lady, a company of gallant
knights, and a jester.
The rest was all unreal. He seemed to see people through a veil, to hear
what they said without fully comprehending it, and to walk through his
daily life blindly, without any sort of emotion. Worst of all, Dorothy
herself seemed detached and dream-like. He saw that her face was white and
her eyes sad, but it affected him not at all. He had yet to learn that in
this, as in everything else, a price must inevitably be paid, and that the
sudden change of all his loved realities to hazy visions was the terrible
penalty of his craft.
Yet there was compensation, which is also inevitable. To him, the book was
vital, reaching down into the very heart of the world. Fancy took his
work, and, to the eyes of its creator, made it passing fair. At times he
would sit for an hour or more, nibbling at the end of his pencil, only
negatively conscious, like one who stares fixedly at a blank wall.
Presently, Elaine and her company would come back again, and he would go
on with them, writing down only what he saw and felt.
Chapter after chapter was written and tossed feverishly aside. The words
beat in his pulses like music, each one with its own particular
significance. In return for his personal effacement came moments of
supremest joy, when his whole world was aflame with light, and colour, and
sound, and his physical body fairly shook with ecstasy.
Public-domain text, read in full here on John Shaqi.
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