Little did he know that the Cup was in his hands, and that he was draining it to the very dregs of bitterness. For this temporary intoxication, he must pay in every hour of his life to come. Henceforward he was set apart from his fellows, painfully isolated, eternally alone. He should have friends, but only for the hour. The stranger in the street should be the same to him as one he had known for many years, and he should be equally ready, at any moment, to cast either aside. With a quick, merciless insight, like the knife of a surgeon used without an anaesthetic, he should explore the inmost recesses of every personality with which he came in contact, involuntarily, and find himself interested only as some new trait or capacity was revealed. Calm and emotionless, urged by some hidden power, he should try each individual to see of what he was made; observing the man under all possible circumstances, and at times enmeshing new circumstances about him. He should sacrifice himself continually if by so doing he could find the deep roots of the other man's selfishness, and, conversely, be utterly selfish if necessary to discover the other's power of self-sacrifice. Unknowingly, he had ceased to be a man and had become a ferret. It was no light payment exacted in return for the pleasure of writing about Elaine. He had the ability to live in any place or century he pleased, but he had paid for it by putting his present reality upon precisely the same footing. Detachment was his continually. Henceforth he was a spectator merely, without any particular concern in what passed before his eyes. Some people he should know at a glance, others in a week, a month, or a year. Across the emptiness between them, some one should clasp his hand, yet share no more his inner life than one who lies beside a dreamer and thinks thus to know where the other wanders on the strange trails of sleep. In the dregs of the Cup lay the potential power to cast off his present life as a mollusk leaves his shell, and as completely forget it. For Love, and Death, and Pain are only symbols to him who is enslaved by the pen. Moreover, he suffers always the pangs of an unsatisfied hunger, the exquisite torture of an unappeased and unappeasable thirst, for something which, like a will-o'-the-wisp, hovers ever above and beyond him, past the power of words to interpret or express.