At the Villa RoseMason, A. E. W. (Alfred Edward Woodley)
General
At the Villa Rose
Mason, A. E. W. (Alfred Edward Woodley)
Detective and mystery stories; Fiction
"I am afraid, my friend, that is so," said Hanaud gravely.
"But I knocked upon the wooden door, I tried the bolts; and they were
within--in the darkness within, holding their breath not three yards
from me."
He stood transfixed.
"That we shall see," said Hanaud.
He stepped in Perrichet's footsteps to the sill of the room. He
examined the green wooden doors which opened outwards, and the glass
doors which opened inwards, taking a magnifying-glass from his pocket.
He called Besnard to his side.
"See!" he said, pointing to the woodwork.
"Finger-marks!" asked Besnard eagerly.
"Yes; of hands in gloves," returned Hanaud. "We shall learn nothing
from these marks except that the assassins knew their trade."
Then he stooped down to the sill, where some traces of steps were
visible. He rose with a gesture of resignation.
"Rubber shoes," he said, and so stepped into the room, followed by
Wethermill and the others. They found themselves in a small recess
which was panelled with wood painted white, and here and there
delicately carved into festoons of flowers. The recess ended in an
arch, supported by two slender pillars, and on the inner side of the
arch thick curtains of pink silk were hung. These were drawn back
carelessly, and through the opening between them the party looked down
the length of the room beyond. They passed within.
CHAPTER V
IN THE SALON
Julius Ricardo pushed aside the curtains with a thrill of excitement.
He found himself standing within a small oblong room which was
prettily, even daintily, furnished. On his left, close by the recess,
was a small fireplace with the ashes of a burnt-out fire in the grate.
Beyond the grate a long settee covered in pink damask, with a crumpled
cushion at each end, stood a foot or two away from the wall, and beyond
the settee the door of the room opened into the hall. At the end a long
mirror was let into the panelling, and a writing-table stood by the
mirror. On the right were the three windows, and between the two
nearest to Mr. Ricardo was the switch of the electric light. A
chandelier hung from the ceiling, an electric lamp stood upon the
writing-table, a couple of electric candles on the mantel-shelf. A
round satinwood table stood under the windows, with three chairs about
it, of which one was overturned, one was placed with its back to the
electric switch, and the third on the opposite side facing it.
Public-domain text, read in full here on John Shaqi.
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