French fiction -- Translations into English; Indians of North America -- Fiction
“‘Mila has the eyes of an ermine, and hair as light as a field of rice;
her mouth is a pink shell lined with pearls; her two breasts are like
two little spotless kids, born the same day of one mother.
[Illustration: 031]
“‘May Mila extinguish this torch! May her mouth cast a voluptuous shade
over it! I will fertilize her bosom! The hope of the country shall hang
from her fruitful breast, and I will smoke my calumet of peace by the
cradle of my son.
“‘Ah! let me outrun the steps of the daylight upon the mountain-tops to
seek my lonely dove amidst the oaks of the forest!’
“Thus sang this young man, whose accents agitated me to the bottom of my
soul, and caused Atala to chance countenance. Our united hands trembled
in each other. But we were diverted from this scene by another scene not
less dangerous for us.
“We passed near a child’s tomb, which served as a boundary between two
nations. It had been placed on the border of the road, according to
custom, in order that the young wives, when going to the fountain, might
draw into their bosom the soul of the innocent creature, and restore it
to the country. At this moment several newly-married spouses were there,
and, desirous of the sweets of maternity, were endeavoring, by opening
their lips, to receive the soul of the little child, which they fancied
they saw wandering amongst the flowers. The veritable mother came
afterwards, and deposited a bunch of corn and white lilies upon the
tomb; she sprinkled the earth with her milk, sat down upon the damp
turf, and spoke thus to her child in an impassioned voice:
“‘Why do I weep for thee in thy earthly cradle, O my new-born? When the
little bird has grown, it must seek its own nutriment, and finds many
bitter seeds in the desert. At least thou hast been unconscious of
tears; at least thy heart has not been exposed to the devouring breath
of men. The bud that dries up in its envelope passes away with all its
perfumes, like thou, O my son, with all thine innocence. Happy are those
who die in the cradle! they have only known the kisses and smiles of a
mother!’
“Already subdued by our own hearts, we were overwhelmed by the images
of love and maternity which seemed to pursue us in these enchanted
solitudes. I carried Atala away in my arms to the extremity of the
forest, where I told her things that I should in vain endeavor to repeat
to-day with my lips. The southern wind, my dear son, loses its heat on
passing over mountains of ice. The souvenirs of love in the heart of an
old man are like the fires of day reflected by the peaceful orb of the
moon when the sun has set, and silence spreads itself over the huts of
the savages.
Public-domain text, read in full here on John Shaqi.
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