French fiction -- Translations into English; Indians of North America -- Fiction
The illustrations of M. Doré have given an additional value to this
tale, so simple, so unsophisticated, yet blooming with all the wild
luxuriance of nature. The artist has added his gifts to those of the
poet; and those acquainted only with his ready and original powers as
the delineator of farce and drollery, or of the exceptionally tragic and
horrible, will find new cause for admiration in these quiet renderings
of the primeval beauties of the American wild--its plains and forests,
its still lagoons and roaring cataracts, its mountain slopes and deep
defiles--all its aspects of rudest workmanship--and will welcome these
efforts of his genius in the lovely realm of descriptive art, wedded as
they are to the exquisite simplicity of this Indian romance. As in
his other works, here may be noted the same surpassing fertility of
resource, the same alertness of intellect and readiness and swiftness of
touch; but there may also be found new proofs of his complete sympathy
with all that is picturesque in forest beauty and his high intuitive
perception of every possible phase of nature in her wildest caprice and
most tender bloom.
We append the following extracts from different prefaces to the author’s
writings, as constituting what is explanatory of the story that follows:
[From the Preface to the First Edition.]
“I was still very young when I conceived the idea of composing an epic
on ‘The Man of Nature,’ to depict the manners of savages, by uniting
them with some well-known event. After the discovery of America, I saw
no subject more interesting, especially to Frenchmen, than the massacre
of the Natchez colony in Louisiana, in 1727. All the Indian tribes
conspiring, after two centuries of oppression, for the restoration of
liberty to the New World, appeared to me to offer a subject almost as
attractive as the conquest of Mexico. I put some fragments of the work
to paper; but I soon found that I was weak in local coloring, and
that, if I wished to produce a picture of real resemblance, it became
necessary for me, in imitation of Homer’s example, to visit the tribes I
was desirous of describing.
Public-domain text, read in full here on John Shaqi.
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