Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
It was to make an engagement. He had rallied wonderfully at the end and
was confident of recovery. She was to bring her modiste to his room at
eleven o'clock the next morning with her patterns, that he might help in
choosing her new dress. He had insisted on it--the dress she was to wear
on his first outing.
'At eleven,' he had said. 'Mind you don't forget. But then you never
forget anything. Good-night once more, my sweet.'
'Good-night.'
She had never seen him again alive. He died before the morning.
She put the machine away and looked out of the window. The sun had
risen. The sky was on fire with the promise of a beautiful day. Worn
out, she fell asleep; to wake--to what? To such awakening as there is
for those who never forget anything.
IV
Every night found her bending over the machine. She had learned now when
not to listen. She had timed the reproduction absolutely, and watch in
hand she waited until the other messages were done, and her own voice
began. There was no condensing possible; one must either each time have
every conversation or stop it. But how could she stop it before the end?
Locking the door and drawing the heavy curtain, she would sit down in
the far corner and begin to turn. She knew just how fast to turn for
others; so slowly for herself. When the watch gave her the signal she
would begin to listen.
'Is that you? Is that you? But I know it is. How distinctly you speak!'
'Yes, it's me,'--and the soft vibrant laugh.
'How are you, dear?'
'Better, I hope.'
'Have you missed me?'
'Missed you!'
THE LEGACY OF RICHARD HUGHES
BY MARGARET LYNN
I
Rachel Marquis paused a moment with her hand on the library-door. She
had had John placed in here because it was the room she herself loved
best, and she knew that it was here she would prefer to sit beside him
in these last hours of waiting. Yet she had hesitated to come down, and
even now, with her hand on the door-knob, she lingered again to
re-strengthen herself before entering. The very unusualness of an
unfamiliar sight in the familiar room would add, she knew, to the sharp
strangeness of the whole event. She almost hoped, as she waited this
moment, for another practical duty of some sort, which would postpone
again her entrance to the room.
But no sound came from any part of the silenced house, and she opened
the door and entered. The long casket stood awkwardly across the blank
fireplace, for she had chosen to give no direction to the undertaker and
he had followed his own professional judgment. Everything was arranged,
however, with a sort of intention which indicated the intrusion of the
professional into the private. In spite of the stronger feeling of the
moment, Rachel Marquis noticed this, with sharp disapproval. But she
went directly to the chair which had been placed beside the casket and
seated herself, bowing her head long on her folded arms before she
looked on the familiar face beside her.
Public-domain text, read in full here on John Shaqi.
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