Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
It was now only twenty-four hours since the strange accident had
happened, and she had not yet adjusted herself, even so far as to
determine her fundamental emotion. It was grief, of course, but the
kind or degree of that grief was still undefined. The hours since they
had brought him home had been so full of the unfamiliar practical things
which arise at such a time, of the sudden necessities and small
perplexities which muddle and chafe sorrow, that there had been scarcely
a moment for her to look consciously at the great fact. Even now, as she
covered her eyes, to be the more alone with herself, she felt rather a
welcoming of momentary inactivity, than the relaxation of grief. She
realized, with a sort of pang of disapproval, that she did not need to
relax from any tension of anguish. She did not know what she wished to
say to herself in this communion. She was sorry, bitterly sorry; but
what elements went into the making of that grief?--She could not yet
tell.
So she leaned with covered eyes, almost as if she were waiting for
something outside of herself to give her a cue. As the minutes passed,
however, the great simple fact that John was dead and that his place
beside her would now be empty, engrossed all supplementary feelings, and
her genuine regret had its way. She wept long, and ever more bitterly,
absorbed, as one may be, in a mere physical expression of grief. The
activity of sorrow overcame thought for the time, and left her no energy
for analysis of feeling. Death alone seemed enough to weep over, and her
tears still fell.
At last, as if having reached a natural period, she rose and moved away
to the window and sat down there, in a quiet reverie of sadness. She was
sorry for the life cut off, shocked at the abruptness and completeness
of the tragedy,--John himself, she was sure, the assertive, energizing
John, would have hated this sudden subduing of himself, and she
sympathized with such revolt,--sorry, sorry for it all.
As she thought, she looked gravely out across the garden, the gay
stretch to which John had given so much time. She had never understood
his devotion to that garden. He had not been ready to spend money on
things to give aesthetic pleasure in the house, although in practical
matters he had been willing enough to make outlays, ever since his
business had been secure. She thought of their new car, of the signs of
prosperity in their living. 'Poor John!' she said at last with a deep
sigh, when, aware of the nodding line of rare dahlias on which her eyes
were resting, she thought of all the pains he had taken in the
propagation and selection of them. She had come to recognize this
lavishness of care and money as a sort of blind expression of the one
aesthetic element in his nature, and had felt a quiet approval of it.
'Poor John!' she sighed again, and turned from the window to go.
Public-domain text, read in full here on John Shaqi.
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