Atlantic Narratives: Modern Short Stories — John Shaqi
Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
'Do you think a woman who has suffered willingly gives her children over
to the same fate?' she demanded passionately. 'I wish I could make you
see it for five minutes as I see it, you, young, careless, foolish! Why,
you know nothing--nothing! Listen to me. The woman who marries gives up
everything, or at least jeopardizes everything: her youth, her health,
her life perhaps, certainly her individuality. She acquires the
permanent possibility of self-sacrifice. She does it gladly, but she
does not know what she is doing. In return, is it too much to ask that
she be assured a roof over her head, food to her mouth, clothes to her
body? How many men marry without being sure that they have even so much
to offer? You yourself, of what are you sure? Is your arm strong? Is
your heart loyal? Can you shelter her soul as well as her body? I know
your father has money. Perhaps you can care for her creature needs, but
that isn't all. For some women life is one long affront, one slow
humiliation. How do I know you are not like that?'
'Because I'm not, that's all!' said Oliver Pickersgill abruptly, getting
to his feet.
He felt badgered, baited, indignant, yet he could not tell this frail,
excited woman what he thought. There were things one didn't say,
although Mrs. Lannithorne seemed to ignore the fact. She went on
ignoring it.
'I know what you are thinking,' she said, 'that I would regard these
matters differently if I had married another man. That is not wholly
true. It is because Peter Lannithorne was a good man at heart, and tried
to play the man's part as well as he knew how, and because it was partly
my own fault that he failed so miserably, that I have thought of it all
so much. And the end of all my thinking is that I don't want my
daughters to marry.'
Oliver was white now, and a little unsteady. He was also confused. There
was the note of truth in what she said, but he felt that she said it
with too much excitement, with too great facility. He had the justified
masculine distrust of feminine fluency as hysterical. Nothing so
presented could carry full conviction. And he felt physically bruised
and battered, as if he had been beaten with actual rods instead of
stinging words; but he was not yet defeated.
'Mrs. Lannithorne, what do you wish me to understand from all this. Do
you forbid Ruth and me to marry--is that it?'
She looked at him dubiously. She felt so fiercely the things she had
been saying that she could not feel them continuously. She, too, was
exhausted.
Public-domain text, read in full here on John Shaqi.
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