Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
'Everybody is so terribly depressing about this thing, it almost scares
me. Aren't there really any happy times for married people, ever? You
and Mrs. Lannithorne make me feel there aren't; but somehow I have a
hunch that Ruth and I know best! Own up now! Are you and mother
miserable? You never looked it!'
His father surveyed him with an expression too wistful to be complacent.
Ah, those broad young shoulders that must be fitted to the yoke! Yet for
what other end was their strength given them? Each man must take his
turn.
'It's not a soft snap. I don't know anything worth while that is. But
there are compensations. You'll see what some of them are when your boys
begin to grow up.'
IV
Across Oliver's young joy fell the shadow of fear. If, as his heart told
him, there was nothing to be afraid of, why were his elders thus
cautious and terrified? He felt himself affected by their alarms all the
more potently because his understanding of them was vague. He groped his
way in fog. How much ought he to be influenced by Mrs. Lannithorne's
passionate protests and his father's stern warnings? He realized all at
once that the admonitory attitude of age to youth is rooted deep in
immortal necessity. Like most lads, he had never thought of it before
save as an unpleasant parental habit. But fear changes the point of
view, and Oliver had begun to be afraid.
Then again, before him loomed the prospect of his interview with Peter
Lannithorne. This was a very concrete unpleasantness. Hang it all! Ruth
was worth any amount of trouble, but still it was a tough thing to have
to go down to the state capital and seek one's future father-in-law in
his present boarding-place! One oughtn't to have to plough through that
particular kind of difficulty on such an errand. Dimly he felt that the
path to the Most Beautiful should be rose-lined and soft to the feet of
the approaching bridegroom. But, apparently, that wasn't the way such
paths were laid out. He resented this bitterly, but he set his jaws and
proceeded to make his arrangements.
It was not difficult to compass the necessary interview. He knew a man
who knew the warden intimately. It was quickly arranged that he was to
see Peter Lannithorne in the prison library, quite by himself.
Oliver dragged himself to that conference by the sheer strength of his
developing will. Every fibre of his being seemed to protest and hold
back. Consequently he was not in the happiest imaginable temper for
important conversation.
The prison library was a long, narrow room, with bookcases to the
ceiling on one side and windows to the ceiling on the other. There were
red geraniums on brackets up the sides of the windows, and a canary's
cage on a hook gave the place a false air of domesticity, contradicted
by the barred sash. Beneath, there was a window-seat, and here Oliver
Pickersgill awaited Lannithorne's coming.
Public-domain text, read in full here on John Shaqi.
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