Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
She had felt at once that they were like her; more like than the little
boy's instinct could grasp. He had thought of the darkness and
whiteness; her widow's weeds and pale face had suggested that; but he
could not know the sorrow, the longing, the earthly sense of irreparable
loss, the heavenly sense of a possession unalterably hers, that the
dark, melancholy leaves and celestial whiteness of the flowers
expressed to her. Tears had risen to her eyes and she had stooped and
kissed her child,--how like her husband's that little face!--and had
said, after a moment, 'We must never leave them, Jack.'
They had never left them. Dorrington had been their home for fifteen
years, and the hepaticas the heart of it, it had always seemed to them
both; the loveliest ritual of the year that early spring one when, in
the hazel copse, they would find the white hepaticas again in flower.
And of all the autumnal labors none were sweeter than those which
cherished and divided and protected the beloved flowers.
Mrs. Bradley, to-day, worked in her long border, weeding, troweling,
placing belated labels. She was dressed in black, her straw hat bound
beneath her chin by a ribbon and her soft gardening gloves rolling back
from her firm, white wrists. Her gestures expressed a calm energy, an
accurate grace. She was tall, and when she raised herself to look over
the meadows at the hills, she showed small, decisive features, all
marked, in the pallor of her face, as if with the delicate, neutral
emphasis of an etching: the gray, scrutinizing eyes, the charming yet
ugly nose, the tranquil mouth which had, at the corners, a little drop,
half sweet, half bitter, as if with tears repressed or a summoned smile.
Squared at brow and chin, it would, but for the mildness of the gaze,
have been an imperious face; and her head, its whitened hair drawn back
and looped in wide braids behind, had an air at once majestic and
unworldly.
She had worked for over an hour and the last label was set beside a
precious clump of iris. The hazel copse lay near by; and gathering up
her tools, drawing off her wet gloves, she followed the path under the
leafless branches and among the hepaticas to the stone bench, where,
sinking down, she knew that she was very tired. She could see, below the
bank, the dark, quick stream; a pale, diffused light in the sky showed
where the sun was dropping toward the hills.
Public-domain text, read in full here on John Shaqi.
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