Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
She and Pickering, the admirable woman who filled so skillfully the
combined positions of lady's maid and parlormaid in her little
establishment, had braided Dollie's thick tresses, one on either
side--Mrs. Bradley laughing a little and both older women touched,
almost happy in their sense of something so young and helpless to take
care of. Pickering understood, nearly as well as Jack's mother, that
Master Jack, as he had remained to her, had married very much beneath
him; but at this time of tragic issues and primitive values, she, nearly
as much as Jack's mother, felt only the claim, the pathos of youth and
helplessness. It was as if they had a singularly appealing case of a
refugee to take care of: social and even moral appraisals were
inapplicable to such a case, and Mrs. Bradley felt that she had never so
admired Pickering as when seeing that for her, too, they were in
abeyance. It was a comfort to feel so fond of Pickering at a time when
one was in need of any comfort one could get; and to feel that, creature
of codes and discriminations as she was, to a degree that had made her
mistress sometimes think of her as a sort of Samurai of service, a
function rather than a person, she was even more fundamentally a kind
and Christian woman. Between them, cook intelligently sustaining them
from below and the housemaids helpful in their degree, they fed and
tended and nursed Dollie, and by that eighth day she was more than ready
to get up and go down and investigate her new surroundings.
She sat there now, in the pretty tea-gown her mother-in-law had bought
for her, leaning back against her cushions, one arm lying along the back
of the couch and one foot in its patent-leather shoe, with its sparkling
buckle and alarming heel, thrusting forward a carefully arched instep.
The attitude made one realize, however completely tenderer
preoccupations held the foreground of one's consciousness, how often and
successfully she must have sat to theatrical photographers. Her way of
smiling, too, very softly, yet with the effect of a calculated and
dazzling display of pearly teeth, was impersonal, and directed, as it
were, to the public via the camera rather than to any individual
interlocutor. Mrs. Bradley even imagined, unversed as she was in the
methods of Dollie's world, that of allurement in its conscious and
determined sense, she was almost innocent. She placed herself, she
adjusted her arm and her foot, and she smiled gently; intention hardly
went further than that wish to look her best.
Public-domain text, read in full here on John Shaqi.
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