Atlantic Narratives: Modern Short Stories — John Shaqi
Atlantic Narratives: Modern Short StoriesNesbit, E. (Edith)
General
Atlantic Narratives: Modern Short Stories
Nesbit, E. (Edith)
Short stories
Mrs. Bradley felt that, at all events, Dollie had no ground for thinking
her 'horrid'; yet she imagined that there lay drowsing at the back of
her mind a plaintive little sense of being caught and imprisoned. Floss
had stepped, triumphant, from the footlights to the registrar's office,
and apparently had succeeded in uniting the radiance of her past and
present status. No, Dollie could be kept respectable and contented only
if the pressure were of the lightest. She could not change, she could
only shift; and although Mrs. Bradley felt that for herself, her life
behind her, her story told, she could manage to put up with a merely
shifted Dollie, she could not see how Jack was to manage it. What was
Jack to do with her? was the thought that pressed with a growing weight
on her mother's heart. She could never be of Jack's life; yet here she
was, in it, planted there by his own generous yet inevitable act, and by
hers--in its very centre, and not to be evaded or forgotten.
And the contrast between what Jack's life might have been and what it
now must be was made more poignantly apparent to her when Frances Thorpe
came down to stay from a Saturday to Monday: Frances in her black, tired
and thin from Red-Cross work in London; bereaved in more, her old friend
knew, than dear Toppie's death; yet with her leisurely, unstressed
cheerfulness almost unaltered, the lightness that went with so much
tenderness, the drollery that went with so much depth. Dearest, most
charming of girls,--but for Jack's wretched stumble into 'fairyland'
last summer, destined obviously to be his wife,--could any presence have
shown more disastrously, in its contrast with poor Dollie, how Jack had
done for himself?
She watched the two together that evening--Frances with her thick,
crinkled hair and clearly curved brow and her merry, steady eyes,
leaning, elbow on knee, to talk and listen to Dollie; and Dollie, poor
Dollie, flushed, touched with an unbecoming sulkiness, aware, swiftly
and unerringly, of a rival type. Frances was of the type that young men
married when they did not 'do for themselves.' There was now no gulf of
age or habit to veil from Dollie her disadvantage. She answered shortly,
with now and then a dry, ironic little laugh; and, getting up at last,
she went to the piano and loudly played.
'He couldn't have done differently. It was the only thing he could do,'
Frances said that night before her bedroom fire. She did not hide her
recognition of Jack's plight, but she was staunch.
'I wouldn't have had him do differently. But it will ruin his life,'
said the mother. 'If he comes back, it will ruin his life.'
'No, no,' said Frances, looking at the flames. 'Why should it? A man
does n't depend on his marriage like that. He has his career.'
'Yes. He has his career. A career isn't a life.'
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