Aubrey Beardsley : $b the clown, the harlequin, the pierrot of his ageMacfall, Haldane
General
Aubrey Beardsley : $b the clown, the harlequin, the pierrot of his age
Macfall, Haldane
Beardsley, Aubrey, 1872-1898; Illustration of books -- Great Britain -- 19th century
Before we eavesdrop at the William Morris meeting, let us rid ourselves
of a few illusions that have gathered about Beardsley. First of all,
Beardsley is on the edge of his twentieth birthday and has not made
a drawing or shown a sign of anything but mediocre achievement.
Next--and perhaps this is the most surprising as it is an interesting
fact--Beardsley had scarcely, if indeed at all, seen a specimen of
the Kelmscott books, their style, their decoration, or their content!
Now Vallance, wrapped up in mediævalism, and Frederick Evans handling
rich and rare hobbies in book-binding, probably never realised that
to Beardsley it might be a closed book, and worse--probably not very
exhilarating if opened, except for the rich blackness of some of the
conventionally decorated pages. It is very important to remember this.
And we must be just to Morris. Before we step further a-tiptoe to
Morris’s house, remember another fact; Beardsley was not a thinker,
not an intellectual man. He was a born artist to his long slender
finger-tips; he sucked all the honey from art, whether fiction or
drawing or decoration of any kind with a feverish eagerness that made
the world think that because he was wholly bookish, he was therefore
intellectual. He was remarkably unintellectual. He was a pure artist
in that he was concerned wholly with the emotions, with his feelings,
with the impressions that life or books made upon his senses. But he
knew absolutely nothing of world questions. Beardsley knew and cared
nothing for world affairs, knew and cared as much about deep social
injustices or rights or struggles as a housemaid. They did not concern
him, and he had but a yawn for such things. Social questions bored
him undisguisedly. Indeed by Social he would only have understood the
society of the great--his idea of it was an extravagantly dressed
society of polished people with elaborate manners, who despised the
middle-class virtues as being rather vulgar, who lived in a romantic
whirl of exquisite flippancies not without picturesque adultery, doing
each one as the mood took him--only doing it with an air and dressing
well for the part.
Unfortunately, we have not been given Beardsley’s correspondence of
these days, and the German edition of his letters has not been done
into English; but read Beardsley’s letters during the last terrible
years of his short life to his friend the poet Gray who became a
priest, and you will be amazed by the absence of any intellectual or
social interest of any kind whatsoever in the great questions that were
racking the age. They might be the letters of a humdrum schoolboy--they
even lack manhood--they do not suggest quite a fully developed
intelligence.
Public-domain text, read in full here on John Shaqi.
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