Aubrey Beardsley : $b the clown, the harlequin, the pierrot of his ageMacfall, Haldane
General
Aubrey Beardsley : $b the clown, the harlequin, the pierrot of his age
Macfall, Haldane
Beardsley, Aubrey, 1872-1898; Illustration of books -- Great Britain -- 19th century
On the eve of publication, Hind and Gleeson White asked for a cover
design for _The Studio_ from the much gratified youth, who went
home thrilled with the prospect that set his soul on fire--here
was _réclame_! as he always preferred to call being advertised, or
what the studios call being “boosted.” Indeed, was not Beardsley to
appear in the first number of _The Studio_ after Frank Brangwyn, then
beginning to come to the front, in a special article devoted to his
work by Pennell, the most vocal of critics, with illustrations from
the portfolio in his several styles--the Japanesque, and the mediæval
_Morte d’Arthur_ blackletter? Was it not to be a tribute to “a new
illustrator”? In Pennell there stepped into the young Beardsley’s life
a man who could make his voice heard, and, thanks to Hind, he was to
champion the lad through rain and shine, through black and sunny days.
And what was of prodigious value to Beardsley, Pennell did not gush
irrelevantly nor over-rate his worth as did so many--he gave it just
and fair and full value.
All the same we must not make too much of Beardsley’s indebtedness
to the first number of _The Studio_ in bringing him before the
public. Pennell had the advantage of seeing a portfolio which really
did contain very remarkable work--at the same time it was scarcely
world-shattering--and it is to Pennell’s eternal credit for artistic
honesty and critical judgment that he did not advertise it at anything
more than its solid value. Pennell was writing for a new magazine of
arts and crafts; and his fierce championship of process-reproduction
was as much a part of his aim as was Beardsley’s art--and all of
us who have been saved from the vile debauching of our line-work
by the average wood-engravers owe it largely to Pennell that
process-reproduction won through--and not least of all Beardsley. What
Pennell says about Beardsley is sober and just and appreciative; but it
was when Beardsley developed far vaster powers and rose to a marvellous
style that Pennell championed him, most fitly, to the day he lay down
and died.
Public-domain text, read in full here on John Shaqi.
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