Aucassin & Nicolette, and Other Mediæval Romances and Legends
General
Aucassin & Nicolette, and Other Mediæval Romances and Legends
French literature -- To 1500 -- Translations into English; Romances; Tales -- France; Tales, Medieval
circumstance, you get sheer lyric beauty, and nothing else. Only there
is another side, a side not very pleasant to dwell upon, and it may
perhaps be hinted at by saying that such a necessary of the toilet as a
pocket-handkerchief was not generally known in this Age of Beauty.
Perhaps it would be truer to hold that the Middle Ages comprised all
these things--the knight-errant and the tormentor; the altar and the
witch's Sabbath; a dream of loveliness having its roots in slime and
squalor. These centuries were both "enormous and delicate." They were
great enough to include opposites, and to square the circle. You may
love them, or you may hate them; but they cannot be given the go-by.
The philosophy of the Middle Ages--that is to say, the idea which
governed their political and theological conceptions--was both simple
and profound. The Emperor or King was considered to be the guardian of
the temporal order of things, just as the Pope was held to be the
supreme authority in matters of eternal and spiritual concern. It was
an idea fascinating in its simplicity, but life is a tangled and
complex matter, and in practice, planets, which in theory moved
strictly in their own orbits, were continually striking across each
other's path. Even St. Louis, the King, who carried saintliness to the
extreme limit permitted to man, was involved in frequent political
quarrels with the supreme head of his Church, and by one of the little
ironies of fate came within measurable distance of excommunication. The
King--again in theory--was the owner of all his realm. This was
necessary to abolish Heptarchies. But for the support of the Crown he
parcelled out his realm amongst great lords, and thus established
Heptarchies again. The great barons, in their turn, divided their
estates amongst knights, bound to assist them in their quarrels, and to
furnish a certain number of soldiers to their service. Amongst these
knights sprang up one of the supreme institutions of the Middle
Ages--the institution of chivalry. "It took its birth in the interior
of the feudal mansions, without any set purpose beyond that of
declaring, first, the admission of the young man to the rank and
occupation of the warrior; secondly, the tie which bound him to his
feudal superior--his lord, who conferred upon him the arms of
knighthood. But when once the feudal society had acquired some degree
of stability and confidence, the usages, the feelings, the
circumstances of every kind which attended the young man's admission
among the vassal warriors, came under two influences, which soon gave
them a fresh direction, and impressed them with a novel character.
Religion and imagination, poetry and the Church, laid hold on chivalry,
and used it as a powerful means of attaining the objects they had in
view, of meeting the moral wants which it was their business to provide
for." Throughout a long apprenticeship, in a castle which contained
practically but one woman, the wife of his lord and she removed how
Public-domain text, read in full here on John Shaqi.
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