"My lord," said he, "I thank you and all the community from the bottom of my heart, for Brother such-an-one has welcomed me like Christ Himself last night. He lighted a fire in my chamber, and served me with choice wines, excellent fish, and more dishes than I am able to recall. And this morning when he bade me farewell he gave me shoes, and these leathern laces, and a knife." When the abbot heard this he was filled with anger, and, parting shortly from the minstrel, he hastened to the monastery, and promptly relieved the guest-master of his office, before the latter could offer a word of explanation. Thus was the minstrel revenged on this grudging heart. If, however, any reader would like to see closer the actual life of a minstrel of the thirteenth century, I would suggest that he obtain the excellent little book on Rutebeuf, one of the most famous of them all, published in the Grands Écrivains Français series. There he may read of the poet's bare cupboard, and the unfurnished lodging, where he lived with his ugly and dowerless old wife, who brought him but fifty years with her soup. He coughs with cold and gapes with hunger. He has no mattress, but only straw, and a bed of straw is not a bed. He fears to face his wife without money for food and rent. If he cannot dig, emphatically, to beg he is not ashamed. All his goods are in pawn, and his time is wasted in the tavern, playing dice, which are his curse and his downfall. Well, Rutebeuf is not the first nor the last to be ruined by dice. How the Devil must smile! Do you remember the legend of the making of these little figures? A merchant who sold himself to the Devil was bidden by him to make a six-sided piece of bone, and to mark each side with a number. One point was to insult the only true God. Two points were to insult God and the Blessed Virgin. Three points to insult the Holy Trinity. Four points to insult the four Evangelists. Five points to insult the Sacred Wounds; and six points to insult the Days of Creation. From that hour the little figures spread rapidly through the world, to man's confusion. Such is the picture Rutebeuf paints of his life--a life curiously anticipative of that of many a Bohemian poet since. It is not a very attractive picture, and though for artistic and other reasons the shadows may be unduly darkened, yet in the main it is doubtless substantially correct.