Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
“Yes, Audrey,” said Evelyn, and laid a fluttering touch upon the
other’s lips, then in a moment spoke herself: “You are to remember
always, though you love him not, Audrey, that he never was true lover
of mine; that now and forever, and though you died to-night, he is
to me but an old acquaintance,--Mr. Marmaduke Haward of Fair View.
Remember also that it was not your fault, nor his perhaps, nor mine,
and that with all my heart I wish his happiness.... Ah, Mr. Lee, you
found it? My thanks, sir.”
Mr. Lee, having restored the glove with all the pretty froth of words
which the occasion merited, and seen Mistress Evelyn turn aside to
speak with Mr. Stagg, found himself mightily inclined to improve the
golden opportunity and at once lay siege to this paragon from the
playhouse. Two low bows, a three-piled, gold-embroidered compliment, a
quotation from his “To Sylvia upon her Leaving the Theatre,” and the
young gentleman thought his lines well laid. But Sylvia grew restless,
dealt in monosyllables, and finally retreated to Mistress Stagg’s side.
“Shall we not go home?” she whispered. “I--I am tired, and I have my
part to study, the long speech at the end that I stumbled in last
night. Ah, let us go!”
Mistress Stagg sighed over the girl’s contumacy. It was not thus in
Bath when she was young, and men of fashion flocked to compliment a
handsome player. Now there was naught to do but to let the child have
her way. She and Audrey made their curtsies, and Mr. Charles Stagg
his bow, which was modeled after that of Beau Nash. Then the three
went down the sunny path to the Palace gates, and Evelyn with the two
gentlemen moved toward the house and the company within.
CHAPTER XXIX
AMOR VINCIT
By now it was early spring in Virginia, and a time of balm and
pleasantness. The season had not entered into its complete heritage of
gay hues, sweet odors, song, and wealth of bliss. Its birthday robe was
yet a-weaving, its coronal of blossoms yet folded buds, its choristers
not ready with their fullest pæans. But everywhere was earnest of
future riches. In the forest the bloodroot was in flower, and the
bluebird and the redbird flashed from the maple that was touched with
fire to the beech just lifted from a pale green fountain. In Mistress
Stagg’s garden daffodils bloomed, and dim blue hyacinths made sweet
places in the grass. The sun lay warm upon upturned earth, blackbirds
rose in squadrons and darkened the yet leafless trees, and every wind
brought rumors of the heyday toward which the earth was spinning. The
days were long and sweet; at night a moon came up, and between it and
the earth played soft and vernal airs. Then a pale light flooded the
garden, the shells bordering its paths gleamed like threaded pearls,
and the house showed whiter than a marble sepulchre. Mild incense, cool
winds, were there, but quiet came fitfully between the bursts of noise
from the lit theatre.
Public-domain text, read in full here on John Shaqi.
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