Nobody ever knew how that came about. Miss Gladys Armstrong, who may be
considered an authority, maintained that as Wyndham had the pride which
is supposed to be the peculiar property of the Evil One, he could never
have proposed to the same woman twice. Consequently Miss Fraser must
have proposed to him. Perhaps she had; there are ways of doing these
things, and whatever Alison Fraser did she did gracefully. As for her
private conscience, in refusing him with conscious magnanimity she had
done no good to anybody, not even herself; in marrying him finally she
had saved the situation, without knowing that there was a situation to
be saved.
The news threw Audrey into what she imagined to be the beginning of a
brain fever, but which proved to be a state of nervous collapse,
lasting, with some intermissions, for a fortnight. At the end of that
time--whether it was that she was so fickle a creature that even Fate
could make no abiding impression on her, or that she was no longer
burdened with the decision of a momentous question--to all appearances
she recovered. So much so that, when some one sent her an invitation to
the private view at the New Gallery, she put on her best clothes (not
without a pang) and went.
Alas! the place was full of associations, melancholy with the sheeted
ghosts of the past. This time last year she had been to the private view
with Ted. They had amused themselves with laughing at the pictures, and
wondering how long it would be before one of his would be hanging
there. And as she listlessly turned the pages of her catalogue, the
first names that caught her attention were, "Haviland, Katherine, 232";
"Haviland, Edward, 296." She turned back the pages hastily to No. 232
and read, "The Witch of Atlas." That picture she knew. No. 296 gave her
"Sappho: A Study of a Head."
Of a head? Whose head?
She found the picture (not exactly in the place of honour, but agreeably
well hung and with a small crowd before it), and recognised Katherine's
striking profile raised in the attitude of a suppliant who implores, the
cloud of her dark hair flaming into bronze against a sunset sky. Ted was
rather too fond of that trick; but the study was not a mere vulgar
success--he had achieved expression in it. It was marked "Sold." There
were some lines of verse on the square panel at the base of the frame.
Ted could not have afforded such a setting for his picture, but the
frame was contributed by Mr. Percival Knowles, the purchaser of the
canvas. The same gentleman was also the author of the verse, specially
written for the portrait. Knowles, by-the-bye, was an occasional
poet--that is to say, he could burst into poetry occasionally; and
Audrey read:--
Public-domain text, read in full here on John Shaqi.
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