It was now July, and from across the Atlantic came the first rumours of
Hardy's return. Within a month, or six weeks at the latest, he would be
in England, in London. The news set Audrey thinking, and think as she
would the question perpetually recurred, Whether would it be better to
announce her engagement to Ted, or still keep it a secret, still drift
on indefinitely as they had done for the last four months? If Audrey had
formed any idea of the future at all, it was as a confused mirage of
possibilities: visions of express trains in which she and Ted were
whirled on for ever through strange landscapes; visions of Parisian life
as she pictured it--a series of exquisite idyls, the long days of
quivering sunlight under blue skies, the brief languid nights dying into
dawn, coffee and rolls brought to you before you get up, strawberries
eaten with claret instead of cream because cream makes you ill in hot
climates, the Paris of fiction and the Paris of commonplace report; and
with it all, scene after scene in which she figured as doing a thousand
extravagant and interesting things, always dressed in appropriate
costumes, always making characteristic little speeches to Ted, who
invariably replied with some delicious absurdity. The peculiarity of
these scenes was, that though they succeeded each other through endless
time, yet neither she nor Ted ever appeared a day older in them. As
Audrey's imagination borrowed nothing from the past, it had no sense of
the demands made by the future. Now, although in publicly announcing her
engagement to Ted she would give a fixity to this floating
phantasmagoria which would rob it of half its charm, on the other hand
she felt the need of some such definite and stable tie to secure her
against Vincent's claim, the solidity of which she now realised for the
first time. Unable to come to any conclusion, she continued to think.
Public-domain text, read in full here on John Shaqi.
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