Hardy sat up and caressed the calves of his legs with thoughtful
emotion, as if he recognised them as the sources of the moral law within
him. His cousin had not followed his precipitate logic. With woman's
well-known aversion from the abstract, she was concentrating her
attention on the concrete case, the glorious animal before her. Now it
would be very wrong to suppose that Hardy was in the least tainted with
socialism, anarchism, or any such pestilent heresies, or that he had
read "Emile" and "Walden." He had never heard of either of these works,
and had no desire whatever for the restoration of society on a primitive
basis of animalism, modified by light literature, clothing, and the
moral law. For all modern theories he had a withering contempt, his own
simple creed being that in the beginning God made man a Tory squire. His
quarrel with the social order was a purely private and particular one.
In our modern mythology, Custom, Circumstance, and Heredity are the
three Fates that weave the web of human life. Hardy did not wholly
sympathise with this belief. He had too profound a respect for his own
pedigree to lay his sins at his great-grandfather's door. As the nephew
of a Tory squire, he was but two degrees removed from original
righteousness. In spite of this consideration, he was wont to describe
himself with engaging candour as a "bad hat." In doing so he recognised
that he was a dependent part of a vast and complicated system. If he,
Vincent Hardy, was a bad hat, who was to blame for it? Obviously,
civilisation for providing him with temptation, and society for
supplying encouragement. As a consequence he owed both civilisation and
society a grudge.
"Therefore I say that a return to barbarism will be our salvation. You
and I mayn't live to see the day, but----"
Here the impassioned orator, who had been making charges at his boots
with the point of his walking-stick, succeeded in detaching a large
cake of mud, which he immediately ground to powder on the carpet.
Civilisation personified in Audrey Craven gazed at him in polite
reproach.
"My new carpet will certainly not live to see it. It may be part of the
detestable social order, but it is not responsible for it, any more than
I am."
"Never mind, Audrey. It's honest Hertfordshire mud--clean from the
country as God made it, if I hadn't had to cross your filthy London in
order to get here."
Audrey smiled, though she knew that brown streaks of the honest
Hertfordshire mud marked the hero's passage from the doorway to her
feet. She was naturally long-suffering, and seldom repulsed any one,
save a few of the more impertinent of her own sex. She lay back in her
cosy corner, outwardly contemplating the unusual length of muscular
humanity extended before her, inwardly admiring her own smile, a smile
of indulgent lips and arch eyebrows, in which the eyes preserved a
languid neutrality.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account