Audubon the Naturalist: A History of His Life and Time. Vol. 1 (of 2)Herrick, Francis Hobart
History
Audubon the Naturalist: A History of His Life and Time. Vol. 1 (of 2)
Herrick, Francis Hobart
Audubon, John James, 1785-1851
Among this collection life was most strikingly exemplified: Le
Sueur, with a countenance weather-beaten and worn, looked on,
for the muscles of his ironbound visage seemed as incapable
of motion, as those on the medals struck in the age of Julius
Cæsar. Rafinesque has a fine black eye, rather bald and black
hair, and withal is rather corpulent. I was informed that
he was a native of Constantinople; at present he lives in
Kentucky. Dr. Harlan is a spruce young man.... Peale is the
son of the original proprietor of the Philadelphia Museum,
and one who visited the Rocky Mountains with Major Long;
he is a young man, and has no remarkable indications of
countenance to distinguish him. Say, who was his companion in
the same expedition, is an extremely interesting man; to him
I am particularly obligated for showing me their Museum and
Library. I think he told me that their society had published
nine volumes.... Bonaparte is the son of Lucien Bonaparte
and nephew to the Emperor Napoleon; he is a little set,
black-eyed fellow, quite talkative, and withal interesting
and companionable.
Among the working naturalists at Philadelphia Dr. Richard Harlan was
possibly one whose friendship was most valuable to Audubon; the artist
from whom he received most encouragement was Thomas Sully, the portrait
painter, who took him into his studio and gave him lessons in the use
of oils. Sully was one of those who saw the good side of Audubon's
character, discerned his talent, and predicted for him a great future;
at a later day Sully was able to rejoice in finding his prediction amply
fulfilled.[309]
Convinced that the advice which Fairman and Bonaparte had given him was
sound, Audubon decided to look to Europe for a publisher of his _Birds_,
and with this end in view, set hard to work at his drawings. "I had
some pupils offered," he said, "at a dollar per lesson; but I found the
citizens unwilling to pay for art, although they affected to patronize
it. I exhibited my drawings for a week, but found the show did not pay,
and so determined to remove myself." Audubon remained in Philadelphia
until August, and while in doubt as to what step he should take next,
he was cheered by a visit to "Mill Grove," made in the carriage of his
Quaker friend, Reuben Haines. To quote his journal:
Public-domain text, read in full here on John Shaqi.
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