August Strindberg, the Spirit of Revolt: Studies and ImpressionsLind-af-Hageby, L. (Lizzy)
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August Strindberg, the Spirit of Revolt: Studies and Impressions
Lind-af-Hageby, L. (Lizzy)
Strindberg, August, 1849-1912
When alone he fell on his knees and thanked God who had delivered him
out of his difficulties and who had given him the gift of literary
expression. Perhaps no subsequent literary crises of gestation ever
equalled the first in intensity of expectation; I he felt that he had
at last found his vocation, the part he was called upon to play in life.
The material for his first play had been his own family troubles;
his religious doubts now found expression in a play in three acts.
He had also discovered that he could write rhymed verse, presumably
as the result of a visitation of the Holy Ghost. A feverish power of
production followed: in two months he wrote two comedies, a tragic
verse drama and some poems.
The first comedy had been submitted to the manager of the Royal
Theatre. Meanwhile the anonymous author continued to walk the boards,
now buoyed by a secret joy. His turn would come; the thought of the day
when he would be recognised made him bold. In his peasant costume he
felt a prince in disguise.
But the comedy was not accepted. The tragedy which he also sent in met
with the same fate, though he received a kindly hint that it would be
worth his while to perfect himself in the art of dramatic construction,
and that time and experience would be more profitably expended on a
literary career than on further attempts to succeed as an actor. He
was advised to return to Upsala. A tragedy with the title _Jesus of
Nazareth_ was sketched out. It was intended to crush Christianity
completely and for all time. It was only partly written, when, happily,
it was abandoned, the youthful author having succumbed to the magnitude
of his subject.
His last appearance on the stage was ignominious, yet symbolic of his
future as a writer of drama. No part whatever had been found for him.
He offered to act as prompter and was accepted. Thus ended the career
upon which he had entered with such glorious zest.
CHAPTER III
"FERMENTATION TIME"
Goaded by misfortune, the recalcitrant scholar returned to Upsala
determined to distinguish himself by obtaining his degree or by writing
a successful play which would compensate for past failures. His return
was made possible by the possession of a few hundred kronor, left to
him under his mother's will.
With five kindred souls he founded a poetical guild to which the
name _Rune_--"Song"--was given. The meetings of the brethren were
occasions for improvisation and tippling, for hair-splitting arguments
and epicurean excesses. They philosophised over life and literature,
expressed the joy of existence in music, and alcoholic melancholy in
sad tales of suffering.
August wrote and read poetry which breathed idealism, nature-worship
and patriotism. He sang to the guitar, sometimes sentimental
folk-songs, sometimes compositions of a less worthy kind.
The dialectics of the company stimulated August's powers of expression,
though they interfered with his studies.
Public-domain text, read in full here on John Shaqi.
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