Augustus Carp, Esq., by Himself: Being the Autobiography of a Really Good ManBashford, H. H. (Henry Howarth), Sir
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Augustus Carp, Esq., by Himself: Being the Autobiography of a Really Good Man
Bashford, H. H. (Henry Howarth), Sir
English fiction -- 20th century; Humorous stories; Satire
“Oh, how dare you?” I cried. “How dare you, Ezekiel? Oh, Mr. Chrysostom,
how dare he? Hip, hip, I say—Hip, hip,” but the audience remained silent
and evidently confused. In fact the effect upon them of Ezekiel’s
proposal must have been exasperating in the extreme, since they had all
opened their mouths and protruded their upper lips preparatory to
cheering, as I had suggested. They had then been obliged, just as they
had taken their breaths, to retract their upper lips again and close
their mouths, and were naturally reluctant, in spite of my further
exhortation, to resume a process once frustrated. Nevertheless many of
them did so, although they failed in its final consummation, with the
lamentable result that they resembled nothing so much as goldfish
breathing in a bowl.
“Goldfish,” I cried. “That’s what they are. Poor lost goldfish, without
a shepherd. Oh, Ezekiel, Ezekiel Stool! How could you do such a thing as
that?”
With incredible determination, however, he was already on his knees and
in the second paragraph of his supplication; and it was only after I had
shaken him several times that he sprang to his feet with a sort of yelp.
“Oh, Ezekiel,” I said, “what a horrible noise.”
“Leave me alone,” he snarled. “Can’t you see I’m busy?”
“Horrible noise,” I said, “horrible, horrible. Isn’t it a horrible
noise, Mr. Chrysostom?”
Then I turned to the audience again.
“Let’s say it all together,” I said. “One, two, three, horrible noise.
That’s better. Now let’s say it again. One, two——”
Then I stopped abruptly, for as I advanced to the brink of the platform,
with Miss Moonbeam’s brothers at my elbows, I suddenly became aware of a
solitary grey eye regarding me objectionably from the front row. Its
fellow was of glass, and the face that contained them, with its high
cheek-bones and gaunt cheeks, was that of none other than Mr. Archibald
Maidstone, the show-room manager whom I had succeeded.
For a moment I could scarcely believe it. But hardly had I recovered
myself than I found myself in his arms, with Miss Moonbeam’s brothers
left upon the platform, each holding a moiety of the tail of my coat.
“Well, laddie,” he said, “it’s your turn now.”
I endeavoured to push myself away from him.
“Take him away,” I shouted. “Take that man away. Where’s Mr. Chrysostom?
Where’s Miss Moonbeam?”
The tumult in the hall was now indescribable. Glasses of water were on
every side of me. But I thrust them all aside and shouted to the naval
officer to bring me the bottle that he had placed upon the table.
“The bottle,” I cried. “Bring me the bottle. Never mind the glass. Give
me the bottle.”
But the naval officer, evidently at his request, had handed the bottle
to Mr. Chrysostom. I saw him examine it through his spectacles in his
usual pompous and deliberate fashion and then, with a heightened colour
and protuberant eyes, exhibit it to Ezekiel and the members of the
committee.
Public-domain text, read in full here on John Shaqi.
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