Augustus Carp, Esq., by Himself: Being the Autobiography of a Really Good ManBashford, H. H. (Henry Howarth), Sir
General
Augustus Carp, Esq., by Himself: Being the Autobiography of a Really Good Man
Bashford, H. H. (Henry Howarth), Sir
English fiction -- 20th century; Humorous stories; Satire
Regarded as a character, however, and when he had fully assured himself
that he was not in the presence of a theatre-goer or dancer, it would
have been difficult to imagine a more affectionate or deeply trustful
companion;[7] and many an hour we spent together combating the drama,
both in Central London and the suburbs. Well provided with money, thanks
to the sales of the Gripe Water—an excellent remedy to which I have
frequently had recourse—he had himself composed and caused to be printed
several extremely powerful leaflets. Of these perhaps the best were _The
Chorus Girl’s Catastrophe_ and _Did Wycliffe Waltz?_ and these we would
distribute in large numbers among the degenerate pleasure-seekers
standing outside theatres. Purchasing seats, too, we would ourselves
from time to time enter these buildings, rising in our places when the
curtain was drawn up and audibly rebuking the performers. Needless to
say, having registered our protest, we would then immediately leave the
premises, not always immune from the coarse objurgations of obviously
interested minions.
Footnote 7:
It was far otherwise, alas, in later years.
Nor were we less vigorous in our onslaught upon the equally prevalent
sin of dancing, either personally attending or stationing delegates at
the entrances to halls or private houses, and endeavouring if possible
by individual appeals to warn or deter would-be malefactors. An uphill
task, it was not for us to say to how great an extent we may have
succeeded, but I can remember at least twelve persons, male and female,
who promised to consider what we had pointed out to them.
Deeply as I appreciated, however, the opportunity of furthering this
valuable and congenial work, I had not as yet realized the ultimate
object that an inscrutable Providence had in view, or that in Ezekiel
Stool I had already been handed the compass that was destined to lead my
steps to matrimony. Such was the case, however, little as I then dreamed
it, and even less, if such a thing were possible, was I attracted, on a
first acquaintance, to any of his five sisters. Simply divided into
twins and triplets, these were all younger than Ezekiel himself, the
triplets being then twenty-four, and the twins three years younger. None
of them was married, and indeed, as regarded the triplets, this was
scarcely perhaps to be wondered at. For though they had been
interestingly named by their father as Faith, Hope, and Charity, they
were plain girls, deeply marked by the smallpox, and of rather less than
the average intelligence. Nor indeed were the twins, Tact and
Understanding, at all remarkable for personal beauty, and the toes of
one of them, as I was afterwards to discover, were most unfortunately
webbed. On the other hand, they were kindly, domestic creatures. All
five of them could play the piano. And the heart of each, as they have
frequently told me, was profoundly stirred by my first visit.
Public-domain text, read in full here on John Shaqi.
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