The struggles which many, if not most men of genius, more particularly
musicians, have had to pass through were unknown to Felix Mendelssohn
Bartholdy. Some people go so far as to say that they miss the traces of
those struggles in his character and in his music. And yet those who
knew him best know that his soul, too, knew its own bitterness. His
happiest years were no doubt spent at Leipzig, where I saw much of him
while I was at school and at the University. He was loved and admired by
everybody; he was undisputed master in the realm of music. He was at
first unmarried, and many were the rumours as to who should be his
bride. News had reached his friends that his heart had been won by a
young lady at Frankfurt; but nobody, not even his most intimate friends,
knew for certain. However, one evening he had just returned from
Frankfurt, and had to conduct one of the Gewandhaus Concerts. The last
piece was Beethoven’s Ninth Symphony. I had sung in the chorus, and
found myself on the orchestra when the concert was over, the room nearly
empty, except his personal friends, who surrounded him and teased him
about his approaching engagement. His beaming face betrayed him, but he
would say nothing to anybody, till at last he sat down and extemporised
on the pianoforte. And what was the theme of his fantasy? It was the
passage of the chorus, “Wer ein holdes Weib errungen, mische seinen
Jubel ein.” That was his confession to his friends, and then we all
knew. And she was indeed “ein holdes Weib” when she arrived at Leipzig.
One thing only she lacked—she could not express all she felt. She was
soon called the “Goddess of Silence” by the side of her devoted husband,
who never could be silent, but was always bubbling over like champagne
in a small glass. They were a devoted couple, not a whisper was ever
heard about either of them, though Mendelssohn had many friends, the
greatest of all being his sister Fanny. With her he could speak and
exchange whatever was uppermost or deepest in his heart. I have heard
them extemporise together on the pianoforte, one holding with his little
finger the little finger of the other. Her death was the heaviest loss
he ever suffered in life. He was so unaccustomed to suffering and
distress that he could never recover from this unexpected blow. Nor did
he survive her long. She died on the 14th of May, 1847; he followed her
on the 4th of November of the same year.
Public-domain text, read in full here on John Shaqi.
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