Hab’ eine Jungfrau nie verführet
Mit Liebeswort, mit Schmeichelei,
Ich hab’ auch nie ein Weib berühret,
Wüsst’ ich, dass sie vermählet sei.
Wahrhaftig, wenn es anders wäre,
Mein Name, er verdiente nicht
Zu strahlen in dem Buch der Ehre,
Man dürft’ mir spucken in’s Gesicht.
That is strong language and evidently meant as an answer to his spies
and enemies. But why will people always spy into the most uninteresting
part of a poet’s life? Why are they bent on knowing on what terms Dante
stood to Beatrice, Petrarch to Laura, Goethe to Frau von Stein, Heine to
George Sand. Volumes have been written on their intimate relations, and
yet whom does it concern, and what can it teach us? Let the dead bury
their dead.
Whilst at Leipzig as a young student I still imagined myself a poet, and
from time to time some of my poems appeared, to my great joy, in the
local papers. I even belonged to a poetical society, and I remember at
least two of us who in later times became very popular writers in
Germany. One was a Jew of the name of Wolfsohn, whose play, “Only a
Soul,” giving the tragedy of a Russian peasant girl, proved a great
success all over Germany, and is still acted from time to time. He died
young. Another, Theodor Fontane, is alive, and one of the best known and
best loved novel-writers of the day. He was a charming character, a man
of great gifts, full of high spirits and inexhaustible good humour. He
began life in a chemist’s shop, and had a very hard struggle in his
youth, which may have prevented his growing to his full height and
strength. He might have been another Heine, but the many years of hard
work and hopeless drudgery kept him from soaring as high as his young
wings would have carried him. I remember but little of his poetry now,
there remains but the sense of pleasure which I derived from it at the
time. Now and then, as it happens to all of us, a few long-forgotten
lines rise to the surface. In a political poem of his, I remember a
young Liberal being warned with the following words:—
Sonst spazierst du nach Siberien
In die langen Winterferien,
Die zugleich Hundstage sind!
And I have never forgotten the last lines of his beautiful poem, “Die
schöne Rosamunde,” where he says of the King:—
Ihn traf des Lebens grösster Schmerz:
Der Schmerz um dieses Leben!
Public-domain text, read in full here on John Shaqi.
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