In a lesser degree it is the same with us. Beethoven’s compositions were
at first considered wild and lawless. Those who admired Mozart and Haydn
could not endure him. Afterwards the world was educated up to his Ninth
Symphony, but some of his later sonatas for pianoforte and violin were
played by Mendelssohn and David in my hearing, and they both shrugged
their shoulders, and thought that the old man had been no longer quite
himself when he wrote them. We have grown into them, or up to them, and
now many a young man is able to enjoy them, and to enjoy them honestly.
I remember the time when Schumann’s songs were published at Leipzig, and
the very same songs which now delight us were then by the best judges
called curious, strange, interesting, promising, but no more. Yes, there
is habit in music, and we are constantly passing through a musical
education; nay, the time comes when our education seems finished, and we
can learn and take in no more. I have passed through a long school. I
began with Haydn, Mozart, and Beethoven, lived on with Mendelssohn, rose
to Schumann, and reached even Brahms; but I could never get beyond, I
could never learn to enjoy Wagner except now and then in one of his
lucid intervals. No doubt this is my fault and my loss, but surely the
_vulgus profanum_ also has its rights and may protest against being
tired instead of being refreshed and invigorated by music. Would
Mendelssohn have admired Wagner? Would Beethoven have listened to his
music, would Bach have tolerated it? Yet these were musicians too,
though perhaps not sufficiently educated. To be honest, a great deal of
Wagner’s music seems tiresome to me, and I do not see why it should ever
end.
My musical education began very early, so early that I cannot remember
ever passing through any drudgery. As long as I remember I could play,
and I was destined to become a musician, till I went to the University,
and Mendelssohn advised me to keep to Greek and Latin. I was born and
brought up in Dessau, a small German town in an oasis of oak-trees where
the Elbe and the Mulde meet, a town then overflowing with music. Such
towns exist no longer.
Public-domain text, read in full here on John Shaqi.
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