Auld lang syne. Second series : $b My Indian friendsMüller, F. Max (Friedrich Max)
History
Auld lang syne. Second series : $b My Indian friends
Müller, F. Max (Friedrich Max)
India; Müller, F. Max (Friedrich Max), 1823-1900 -- Friends and associates
There is another member of the Tagore family, Râjah Surindro Mohun
Tagore, a very liberal patron of Indian music, who has published a great
deal about it, but he too has kept aloof from touching on the old
science of music that once existed in India, though we know as yet so
little of its literature. If we could accept a tradition that has been
repeated again and again by Sanskrit scholars, even by men of great
learning, such as the late Professor Benfey, we should have to believe
that Guido d’Arezzo (about 1000 A. D.) borrowed his gamut from the
Arabs, and that they had adopted it from the Persians, who had been the
pupils of the Hindus. In itself such a borrowing has nothing incredible
in it, for we know that our figures, not excluding the nought, travelled
on the same road, from the Indians to the Persians, the Arabs, the
Spaniards, and the Italians. It is true also that one of the Indian
gamuts consisted of seven notes, and that these notes went by the names
_sa_, _ri_, _ga_, _ma_, _pa_, _dha_, _ni_, which were the first
syllables of their Sanskrit names. So far, therefore, there is some
plausibility. But if it is maintained that these seven syllables were
changed in Italian to the well-known _do_, _re_, _mi_, _fa_, _sol_,
_la_, _si_, we require some more of real historical evidence of such a
change before stating as a fact what is, as yet, a guess only. Gladly as
I should claim any merit for the people of India, it seems to me that
the differences between the names of the notes of the two gamuts are
greater than their similarities. All we can say is that it is possible
that we owe our gamut to India, but until more evidence is produced, we
cannot say more. If we remember that we owe the nought to that country,
mathematicians will be ready to confess that this was one of the
greatest discoveries in the history of mathematics and of all the
sciences that depend on mathematics, one of the greatest benefits, in
fact, that the East has conferred on the West. Whether we owe to India
Beethoven’s symphonies is another question, that has yet to wait for an
answer.
My Indian friend Dvârkanâth Tagore, though not learned, was very
intelligent, and a man of the world. He rather looked down on the
Brâhmans, and when I asked him whether he would have to perform penance,
or Prâya_sk_itta, after his return to India, he laughed and said, “No. I
am all this time feeding a large number of Brâhmans at home, and that is
quite penance enough!” The real penance was, of course, the
Pa_ñk_agavya, the five products of the cow which the penitent had to
swallow before he could be readmitted to his caste; and these products
were not only milk, sour milk, and clarified butter, but likewise other
products, such as Mûtra and Gomaya. That penance still exists, and many
of our Indian visitors have had to undergo it after their return, though
at present the five products of the cow are reduced to infinitesimal
proportions and swallowed in the shape of a gilded pill.
Public-domain text, read in full here on John Shaqi.
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