Auld lang syne. Second series : $b My Indian friendsMüller, F. Max (Friedrich Max)
History
Auld lang syne. Second series : $b My Indian friends
Müller, F. Max (Friedrich Max)
India; Müller, F. Max (Friedrich Max), 1823-1900 -- Friends and associates
Taken as a whole these hymns, particularly those of the Rig-Veda, are
certainly older than any other poetry we possess in India, nay, older
than any literary composition we possess of any of the Aryan nations in
Asia or Europe. Their real interest, however, consists not only in their
age, but in the simplicity and naturalness of their poetical addresses
to the most striking phenomena of nature by which the Aryan settlers
found themselves surrounded in India, and in which and behind which they
recognised unseen agents by whom both their physical and their moral
life were powerfully influenced.
If all books have their fates, the oldest book of the world, the Veda,
has certainly had the most extraordinary fate. It was known to exist and
people began to write about it, long before it had been seen or handled
by any European. I remember Baron Bunsen telling me how his chief object
in arranging to go to India with his pupil, Mr. Astor, was to see
whether there really was such a book in existence. By consulting the
_Lettres édifiantes_ he might have known that it was in existence as a
real book, and had been seen and handled by some of the Catholic
missionaries in India. But though seen, not a line of it had ever been
published, still less translated, because native scholars, willing as
they might be to help missionaries and others in reading the Laws of
Manu, the Mahâbhârata and Râmâya_n_a, were most decidedly unwilling to
help them to an understanding of the Veda. There were, no doubt, many
reasons for it, one of them being possibly that there were few, if any,
Brâhmans at the beginning of this century who were able to translate the
Veda themselves. There were many who knew it or large portions of it by
heart, and could recite the hymns at sacrifices and public or private
gatherings, but they did not even profess that they understood it. They
were proud to know it by heart and by sound, and there were some who
actually thought that the hymns would lose their magic power, if recited
by one who understood their meaning. Manuscripts were never very
numerous, and even when one of them fell into the hands of Europeans,
they soon found that, without a commentary, the hymns baffled all
endeavours at translation.
During all that time the most exaggerated ideas were spread about the
Vedas. The Brâhmans themselves declared that they contained the oldest
divine revelation, that they were not the compositions of human authors,
but the work of Brahman, the Supreme Spirit, who had revealed them to
inspired sages or Rishis, seers. European scholars were carried away for
a time by the hope that they would find in these Vedas, if not the
jabberings of the Pithecanthropoi, at least the earliest flashes of
thoughts of an awakening humanity, the faint echoes of a primordial
wisdom going back to the very beginning of human life on earth, “when
the morning stars sang together and all the sons of God shouted for
joy.”
Public-domain text, read in full here on John Shaqi.
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