Auld lang syne. Second series : $b My Indian friendsMüller, F. Max (Friedrich Max)
History
Auld lang syne. Second series : $b My Indian friends
Müller, F. Max (Friedrich Max)
India; Müller, F. Max (Friedrich Max), 1823-1900 -- Friends and associates
The discovery of Vedic literature which had retained the clearest traces
of a common Aryan mythology, even if no equation besides that of
Dyaush-pitar = Ζεὺς πατήρ had survived, was really the discovery of a
new world, of a _terra antiquis incognita_, and gave us a glimpse at a
whole period of thought, of which no relics whatever could be found
anywhere else, whether in Greece, Italy, or Germany.
But highly interesting as these Vedic hymns are to us, in spite of, or,
I should say, on account of their simplicity and childishness, anybody
who came to know them at first hand had to confess that they seem quite
unfit to satisfy the religious cravings of a later generation. They
contain praises of the physical gods, they implore their help, they
render thanks for benefits supposed to have come from their hands, light
and life from Dyaus, rain and food from a closely related power, called
Indra, warmth and light from Agni, new life every morning from Ushas or
Eos. All this is historically and psychologically full of interest, but
there is little only, except here and there, of exalted religious
thought, of poetry or philosophy, still less of any records of
historical events. Besides, their language is so difficult that, as yet,
it makes a satisfactory translation of the whole Veda a perfect
impossibility. This may seem surprising in the days when hieroglyphic
and cuneiform inscriptions have been so readily translated. But the fact
is that most of those inscriptions are very straightforward, they hardly
contain a conditional or a relative sentence. We read of Kings and Kings
of Kings, of their battles from year to year, of the towns they founded,
of the conquests they made, the captives they led away, the tribute they
received and so on, and yet even such simple statements vary very
considerably from year to year according as they are translated by bold
or timid scholars. The Vedic hymns on the contrary, even when we
understand every word of them, remain very obscure in their structure or
construction; and though their texts are very firmly established from
the time they were first reduced to writing and made the subject of the
most minute grammatical study in India, even before the spreading of
Buddhism, it is clear that before that time, when the Vedic texts
existed in oral tradition only, they must have been exposed to many
vicissitudes. There are verbal emendations so palpable that we can
hardly understand how the mistakes could have arisen, and could have
been tolerated for one moment. Besides that, there are evidently old and
new hymns, yet all of them are recognised as belonging to the Veda, ever
since the Vedic hymns were systematically collected.
Public-domain text, read in full here on John Shaqi.
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