Auld lang syne. Second series : $b My Indian friendsMüller, F. Max (Friedrich Max)
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Auld lang syne. Second series : $b My Indian friends
Müller, F. Max (Friedrich Max)
India; Müller, F. Max (Friedrich Max), 1823-1900 -- Friends and associates
“I deeply sympathise with your Shrâddh ceremony; nay, I wish we had
something like it in our own religion. To keep alive the memory of our
parents, to feel their presence during the great trials of our life, to
be influenced by what we know they would have wished us to do, and to
try to honour their name by showing ourselves not unworthy bearers of
it, that is a Shrâddh ceremony in which we can all partake, nay, ought
to partake, whatever our religion may be. There is a real, though unseen
bond of union (tantu) that connects us through our parents and ancestors
with the Great Author of all things, and the same bond will connect
ourselves through our children with the most distant generations. If we
know that, and are constantly reminded of it by ceremonies like that of
your Shrâddh, we are not likely to forget the responsibility that rests
on every one of us. In that sense your Shrâddh is a blessing, on your
parents because on yourselves, and whatever the future of your religion
may be in India, I hope this communion with the spirits of your
ancestors, or Pit_ri_s, will always form an essential part of it.”
Two or three years in India would certainly have been a delight to me,
but short of that I did not care to go. I was quite satisfied with that
ideal India which I had built up for myself, whether from their books or
from those who had come to see me at Oxford. If my India, as I am often
told, is an ideal India, is it more so than Greece as seen through the
poems of Homer, or Italy as seen through the verses of Virgil? What is
ideal is not necessarily unreal, it is only like a landscape seen in
sunshine. Look at a landscape on a brilliant summer’s day bathed in
light and verdure, and again on a bleak day of March with its bitter
winds and cloudy sky. It is the same landscape, but which of the two is
its true aspect? I shall not speak here of ancient Indian poets, of
ancient Indian philosophers, or of ancient Indian heroes. What I feel,
and what I wish my friends would feel with me, is that a country which,
even in these unheroic days, could produce a Rammohun Roy, a Keshub
Chunder Sen, a Malabâri, and a Râmabâi, is not a decadent country, but
may look forward to a bright, sunny future, as it can look back with
satisfaction and even pride on four thousand years of a not inglorious
history.
Public-domain text, read in full here on John Shaqi.
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